March 1996 – Village Recording, West Hollywood, California.
Robert Sebree reflects: “Tom was scoring his first film, She’s The One for Ed Burns. The timing was good and the project served as a welcome diversion from his ongoing divorce. He had moved out of the family house and was adjusting to living alone for the first time in years. Over lunch one day I mentioned that I was in the middle of my divorce which provided the common ground we needed to engage in topics a little deeper than our typical conversations.
After a long day in the studio I would often get a call from Tom that would last for hours as we discussed everything except the day we had just spent together. He spoke as if we were going through the same thing and I argued that our circumstances were very different – most obviously that he had children and a mountain of assets. He made me realize that in the ways that mattered that we were experiencing a lot of the same pain, turmoil and uncertainty, as well as a sense of excitement—because our futures no longer seemed preordained.”
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