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    Neil Young passing an old woman at 3rd & Sullivan, New York City, June 1970. "After The Gold Rush" album cover (solarized). Joel Bernstein explains how the old woman came to be in the frame: "The photo was not "a mistake." I saw the small, old woman coming towards us down the sidewalk, was intrigued, and wanted to catch her passing Neil. The mistake, to me, was that I had in my haste focused the lens just past the two figures, closer to the fence than to Neil's face. That was the original reason why I made a small-sized print and solarized it; to help with the apparent sharpness. But the solarization in this case added a somewhat spooky dimension to the image, which Neil took to immediately." NOTE:Because of the nature of the solarization process, each print is unique, and small variations from print to print will occur.
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    The image that appears on the cover of Eric Meola's book of Bruce Springsteen photographs, " Streets of Fire".
    Photograph © Eric Meola, registered with U.S. Copyright Office
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    David Corio recalls: "The Pogues frontman had a reputation as a hard-drinking man so I was surprised when I was asked to photograph Shane at 11am in a fancy French restaurant in Camden Town. When I arrived Shane was already there for the interview. He had by then established a format for excessive consumption - a swig of Guiness followed by another swig from a large tumbler of brandy, then a spoonful of French Onion soup, a drag on a cigarette and back to the Guiness in a rapid rhythmic sequence. He didn't miss a beat. I took him outside for the photo and he was remarkably clear-headed, eloquent and witty. I asked him if he could take his sunglasses off but he refused in no uncertain terms."
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    David Corio recalls: "I first met Ian Dury in my sister’s flat in Wandsworth in 1977. He was playing drums with Wreckless Eric who was my sister’s boyfriend. I was 17 and Ian was 34. He was very friendly and encouraged me to take music photos. Artistic and knowlegable with a unique sense of humour and a wicked laugh, Ian gave me a lot of confidence to do what I wanted to do. He often spoke in Cockney rhyming slang. Having had polio from an early age he sometimes refered to himself as a raspberry. Raspberry ripple = cripple. I was fascinated and thrilled to know him. He also introduced me to the highly regarded graphic designer Barney Bubbles who was also a big influence. I went to many of Ian’s shows. He was an extraordinary performer and there was always a sense of mayhem on the stage. He’d always invite me backstage to take photos and this wasn’t posed at all. He was dressed as he was about to go onstage with the Blockheads. Unlike many performers he didn’t show any nerves before performing but would normally hang out with his old friends saxophonist Davey Payne and his handler/minder the former burglar Spider."
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    David Corio recalls: "This photo of Bruce Springsteen was taken from the audience - I hadn’t got a photo pass but was lucky enough to get a ticket for the show and I managed to get near to the stage at the huge Wembley Arena. Apart from a couple of shows in 1975 this was the first big concert in Europe for ‘The Boss’ as he is affectionately known. He was famous for his energetic sets and this show lasted for three hours and he didn’t stop moving for the entire show. He climbed up onto the speakers, leaped across the stage and pulled girls out from the audience to dance or sing with him. Springsteen supports many social causes, keeps to his working–class roots and speaks out very strongly on political issues. He has donated money to war veterans groups, endorsed Barack Obama early in his political campaign and most recently took part in fund-raising events for Haiti after the earthquake. He still lives in New Jersey where he was born - his 1973 debut album ‘Greetings From Asbury Park’, was named after the run-down sea-side resort where he still occasionally plays the tiny Stone Pony Club (capacity - 775 people) . A contrast to the 137,000 people that were at the Glastonbury festival when he performed in 2009!"
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    David Corio recalls: "I always felt a bit sorry for Adam Ant. He had been around at the beginning of the punk movement collaborating briefly with Jordan and Malcolm McClaren but he never seemed to quite fit the right mould. His music was hugely popular for a time with 11 singles hitting the charts over a 5 year period. Adam & The Ants videos were flamboyant fun and got massive amounts of air-time as music videos were comparatively new and MTV was just starting up but the pantomime pirate imagery had become more important than the music. The use of two drummers for live performances gave the band a powerful set up using the Burundi-style drum beat and he was a captivating live performer but as his audience became younger other music seemed to be overtaking him. New wave and New Romantic music scenes were coming along and suddenly Adam & the Ants were old hat and out of fashion. This photo was taken when they were at the peak of their commercial success Stand & Deliver and Prince Charming were released at this time which would both reach number one in the UK charts but within a year the band had split up. More recently his career has had several ups and downs from having a successful autobiography published and acting in several films to being arrested on a number of occasions and having several prolonged stays in psychiatric wards. In 2009 he started perfoming live again with various line-ups and there are rumours that he has recently started to record again."
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    Stephen Wright recalls: "Oddly The Smiths played at event which was part of a series of shows organised by Factory records when they had never signed with them. Morrissey half-stripped in front of an audience of thousands, and at least one shirt he threw to them was torn to pieces."
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