• Select options This product has multiple variants. The options may be chosen on the product page / Details
    This is an estate authorised, posthumous limited edition photograph in a choice of physical sizes, with a maximum edition of 50 worldwide across all sizes (and not 50 in each size). We have included prices below for a few alternate size options, but this photograph can be made in any size—however small or large—to suit your space requirements. If you can't see the exact size for you don't worry —please just ask for a quote based on the size you would like. Each photograph is made to order—please allow 3 weeks between order and delivery. Prices are shown for unframed items, excluding VAT.
  • Select options This product has multiple variants. The options may be chosen on the product page / Details
    This is an estate authorised, posthumous limited edition photograph in a choice of physical sizes, with a maximum edition of 50 worldwide across all sizes (and not 50 in each size). We have included prices below for a few alternate size options, but this photograph can be made in any size—however small or large—to suit your space requirements. If you can't see the exact size for you don't worry —please just ask for a quote based on the size you would like. Each photograph is made to order—please allow 3 weeks between order and delivery. Prices are shown for unframed items, excluding VAT.
  • Select options This product has multiple variants. The options may be chosen on the product page / Details
    A masterstroke by Alan Klein, many younger fans’ introduction to the Beatles came through the 1973 double album sets 1962-66 and 1967-70: a.k.a. The Red Album and The Blue Album. Ben The Illustrator  celebrates these classic compilations with these limited edition ChromaLuxe prints.   Chromaluxe printing is an archivally stable process that produces prints with outstanding depth and an ultra-high-gloss finish. The technique uses a process called dye sublimation to fuse the image directly on to a 1.2mm panel of white-coated aluminium. The resulting print has richly saturated colours and a jewel-like appearance.  A subframe on the reverse allows the print hang on the wall while appearing to float. Additional framing/glazing is not required (as ChromaLuxe has a scratchproof surface) but can be arranged as an option. ChromaLuxe prints are very light and are easy to ship. There are no additional shipping charges anywhere in the world. Prints are made to order. Please allow 2-3 weeks between order and delivery. 
  • Select options This product has multiple variants. The options may be chosen on the product page / Details
    A masterstroke by Alan Klein, many younger fans’ introduction to the Beatles came through the 1973 double album sets 1962-66 and 1967-70: a.k.a. The Red Album and The Blue Album. Ben The Illustrator  celebrates these classic compilations with these limited edition ChromaLuxe prints.  Chromaluxe printing is an archivally stable process that produces prints with outstanding depth and an ultra-high-gloss finish. The technique uses a process called dye sublimation to fuse the image directly on to a 1.2mm panel of white-coated aluminium. The resulting print has richly saturated colours and a jewel-like appearance.  A subframe on the reverse allows the print hang on the wall while appearing to float. Additional framing/glazing is not required (as ChromaLuxe has a scratchproof surface) but can be arranged as an option. ChromaLuxe prints are very light and are easy to ship. There are no additional shipping charges anywhere in the world. Prints are made to order. Please allow 2-3 weeks between order and delivery. 
  • Select options This product has multiple variants. The options may be chosen on the product page / Details
    Read all about Ben's work here This image is made as a Chromaluxe print. Chromaluxe printing is an archivally stable process that produces prints with outstanding depth and an ultra-high-gloss finish. The technique uses a process called dye sublimation to fuse the image directly on to a 1.2mm panel of white-coated aluminium. The resulting print has richly saturated colours and a jewel-like appearance.  A subframe on the reverse allows the print hang on the wall while appearing to float. Additional framing/glazing is not required (as ChromaLuxe has a scratchproof surface) but can be arranged as an option. ChromaLuxe prints are very light and are easy to ship. There are no additional shipping charges anywhere in the world. These are made to order - please allow three weeks between order and delivery.
  • Select options This product has multiple variants. The options may be chosen on the product page / Details
    Read all about Ben's work here This image is made as a Chromaluxe print. Chromaluxe printing is an archivally stable process that produces prints with outstanding depth and an ultra-high-gloss finish. The technique uses a process called dye sublimation to fuse the image directly on to a 1.2mm panel of white-coated aluminium. The resulting print has richly saturated colours and a jewel-like appearance.  A subframe on the reverse allows the print hang on the wall while appearing to float. Additional framing/glazing is not required (as ChromaLuxe has a scratchproof surface) but can be arranged as an option. ChromaLuxe prints are very light and are easy to ship. There are no additional shipping charges anywhere in the world. These are made to order - please allow three weeks between order and delivery.
  • Select options This product has multiple variants. The options may be chosen on the product page / Details

    Ken Regan: Keith, Horses

    £ 616£ 3,478
  • Select options This product has multiple variants. The options may be chosen on the product page / Details
  • Select options This product has multiple variants. The options may be chosen on the product page / Details
    Debbie Harry photographed in 1988 by Brian Aris in her New York apartment.
  • A matched pair consisting of: The Some Might Say front cover image, limited edition of 100 archival pigment prints, image size 18 x 18 inches, paper size 24 x 25 inches. Signed and numbered by Michael Spencer Jones on the front under the image. The Some Might Say back cover image, limited edition of 25 archival pigment prints, image size 18 x 18 inches, paper size 24 x 25 inches. Signed and numbered by Michael Spencer Jones on the front under the image. Unframed price.    
  • Archival pigment print on 24 x 25 inch paper, edition of 20, signed and numbered on the front by Michael Spencer Jones. Unframed price.
  • A matched pair consisting of: The Shaker Maker front cover image, limited edition of 100 archival pigment prints, image size 18 x 18 inches, paper size 24 x 25 inches. Signed and numbered by Michael Spencer Jones on the front under the image. The Shaker Maker back cover image, limited edition of 25 archival pigment prints, image size 18 x 18 inches, paper size 24 x 25 inches. Signed and numbered by Michael Spencer Jones on the front under the image. Unframed price.    
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