• Select options This product has multiple variants. The options may be chosen on the product page / Details
  • Select options This product has multiple variants. The options may be chosen on the product page / Details
    Michael Putland (1947-2019) recalled: I went to David's home, which was a flat in Haddon Hall in Beckenham, to take some photographs for Disc and Music Echo. Bowie came to the door, cigarette in one hand, paintbrush in the other, wearing a one piece catsuit I had seen him perform in on stage a little while before. "Hello mate" he said. "I'm painting my ceiling. Do you mind if I finish it?" And that was how I found myself with a wonderful set of photos of the great man up a ladder waiting the ceiling dressed in his stage clothes, with a matching hat to keep the paint drips off his hair.
  • Select options This product has multiple variants. The options may be chosen on the product page / Details
    Michael Putland (1947-2019) recalled: I went to David's home, which was a flat in Haddon Hall in Beckenham, to take some photographs for Disc and Music Echo. Bowie came to the door, cigarette in one hand, paintbrush in the other, wearing a one piece catsuit I had seen him perform in on stage a little while before. "Hello mate" he said. "I'm painting my ceiling. Do you mind if I finish it?" And that was how I found myself with a wonderful set of photos of the great man up a ladder waiting the ceiling dressed in his stage clothes, with a matching hat to keep the paint drips off his hair.
  • Select options This product has multiple variants. The options may be chosen on the product page / Details
  • Select options This product has multiple variants. The options may be chosen on the product page / Details
  • Select options This product has multiple variants. The options may be chosen on the product page / Details
    Michael Putland (1947-2019) recalled: When I arrived as agreed at 10am at a TV studio on London's South Bank to shoot stills of The Rolling Stones "It's Only Rock 'n' Roll" video, I wondered if I had the right day, as no one was there. Over the next few hours technicians wandered in, followed by make-up artists, assistants, record company people, and finally, the band. Well, four of them - there was no sign of Keith. Something about his missing trainers was murmured. When Keith finally arrived, the band dressed in their sailor suits and prepared to enter the huge tent, which was to slowly fill with foam as they entered. It was evening now. The band ran through the number, but there was no foam. The foam was machine was turned up to maximum, and in it rushed. Charlie disappeared completely, then the others were up to their shoulders, but the song was not yet finished. I was shooting through a slit in the tent, which was also getting enveloped in fast-filling foam. Eventually all of the band bailed out at the last minute, straight through the hole I was shooting through. It was hysterically funny - we were all in fits of laughter.
  • Select options This product has multiple variants. The options may be chosen on the product page / Details
    Michael Putland (1947-2019) recalled: I went to David's home, which was a flat in Haddon Hall in Beckenham, to take some photographs for Disc and Music Echo. Bowie came to the door, cigarette in one hand, paintbrush in the other, wearing a one piece catsuit I had seen him perform in on stage a little while before. "Hello mate" he said. "I'm painting my ceiling. Do you mind if I finish it?" And that was how I found myself with a wonderful set of photos of the great man up a ladder waiting the ceiling dressed in his stage clothes, with a matching hat to keep the paint drips off his hair.
  • KILLER QUEEN BY KEITH HAYNES                                                               Mixed media: Cut from a 12 inch Queen vinyl record. This can be made from any Queen album or 12 inch single but we think it looks best with A Night At The Opera, A Day At The Races, Queen or Sheer Heart Attack. You can see example mock-ups in the image gallery alongside.  You be the judge, and let us know which one you would like.  Supplied ready to hang in a 52cm x 52cm / 20 x 20 inch black box frame, with a circular window mount opening. Unique edition (as each one is different) of 50, each one signed and numbered by Keith Haynes. Please allow 2-3 weeks between order and delivery. Price includes UK mainland delivery.  If you are outside the UK mainland, a separate shipping charge applies–please get in touch for a quote based on your location.    
  • PINK FLOYD - ANIMALS                                                                 Mixed media:  Cut from original 12” Pink Floyd albums,  pink and black vinyl, (plus coloured vinyl for the power station towers), silver wire and perspex. Supplied ready to hang in a 75cm x 75cm / 29.5 x 29.5 inch white box frame. Unique edition (as each one is different) of 20 + 2AP is signed and numbered by Keith Haynes. All versions of the edition will come with a pink vinyl copy of Animals plus a black vinyl Pink Floyd LP (in this example Atom Heart Mother). The coloured vinyl elements of Battersea Power Station will be different every time. The first image shows a lime green version. Two other examples shown here are a light purple and a blue variant. Price does not include delivery - we can quote for delivery based on your location.    
  • A matched pair consisting of: The Don't Look Back in Anger front cover image, limited edition of 100 archival pigment prints, image size 18 x 18 inches, paper size 24 x 25 inches. Signed and numbered by Michael Spencer Jones on the front under the image. The Don't Look Back in Anger back cover image, limited edition of 25 archival pigment prints, image size 18 x 18 inches, paper size 24 x 25 inches. Signed and numbered by Michael Spencer Jones on the front under the image. Unframed price.    
  • Select options This product has multiple variants. The options may be chosen on the product page / Details

    Roberta Bayley: Ian Dury, portrait

    £ 1,052£ 3,703
  • A matched pair consisting of: The Shaker Maker front cover image, limited edition of 100 archival pigment prints, image size 18 x 18 inches, paper size 24 x 25 inches. Signed and numbered by Michael Spencer Jones on the front under the image. The Shaker Maker back cover image, limited edition of 25 archival pigment prints, image size 18 x 18 inches, paper size 24 x 25 inches. Signed and numbered by Michael Spencer Jones on the front under the image. Unframed price.    
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