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The stone cold classic Born to Run front cover. Archival limited edition pigment print on fiber paper offered in two size options: 12 x 18 inch image size on 18 x 24 inch paper, signed, dated and numbered on the front by Eric Meola. Edition of 25 in this size, and 20 x 30 inch image size on 24 x 36 inch paper, signed, dated and numbered on the front by Eric Meola. Edition of 25 in this size.
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The classic album cover image. Archival limited edition photograph, authorised with embossed stamp on the front, official ink stamp with title and edition number on the reverse. Supplied with certificate issued by the Barry Feinstein archive. Various sizes available.
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No Direction Home's defining cover image. Archival limited edition photograph, authorised with embossed stamp on the front, official ink stamp with title and edition number on the reverse. Supplied with certificate issued by the Barry Feinstein archive. Various sizes available.
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Limited edition of 10 (+ 4 APs) signed, numbered handmade palladium prints made by David Michael Kennedy. Image size 22 x 32 inches approx. David Michael Kennedy recalls: "The cover shot was taken from the window of an old pick-up truck in the dead of winter. I was on a road trip, and my girlfriends brother was driving. We were in a super great snow storm and within minutes of this shot the storm hit hard and we were in total white out for hours. I thought that image might be my last! This was in the winter of 1975 and I had just finished a rough couple of months in New York City. I decided to take a road trip and have a bit of Rest and Relaxation. At that time I was doing a lot of fashion and advertising work as well as beginning to shoot covers but I really needed to get back to my roots and just do some images for me. So off on the road I went." "When Bruce was working on The Nebraska album he had an idea for a landscape in mind for the cover. He was working with Andy Klein as the art director on the cover. Andy was familiar with my portraits and she also was aware of my landscape work so she asked me to put together some of my landscapes to show to Bruce. He fell in love with the image (that became the cover) and knew it was right for the cover."
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Archival limited edition photograph, authorised with embossed stamp on the front, official ink stamp with title and edition number on the reverse. Supplied with certificate issued by the Barry Feinstein archive. Various sizes available.
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Archival limited edition photograph, authorised with embossed stamp on the front, official ink stamp with title and edition number on the reverse. Supplied with certificate issued by the Barry Feinstein archive. Various sizes available.
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Archival limited edition photograph, authorised with embossed stamp on the front, official ink stamp with title and edition number on the reverse. Supplied with certificate issued by the Barry Feinstein archive. Various sizes available.
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"By the time I took this picture (for This Year's Model, Elvis Costello's second album, released in 1978) I had already photographed Elvis a dozen or more times. As his career took off I watched his confidence in front of the camera grow. In those days every single had a picture sleeve, so by the time this album came, we had done several sleeves together and Elvis was relaxed when working with me. Apart from my assistant, there were just the two of us. The concept of him behind a camera for the sleeve of This Year's Model had already been chosen, so I decided to equip Elvis with exactly the same tripod and camera as I was using to create a 'mirror' for him. Alongside a powerful stereo I kept a large record collection at my Camden Studio, and artists would choose music they enjoyed or were interested in for their sessions. Just as we were about to start shooting, Elvis asked me if I had Hotel California by The Eagles, and could I play it? I was puzzled by his choice - until he told me that he loathed the record, but wanted to look really pissed off and angry in the shots! We played the record several times during the session and whilst I directed him, I was also aware of his copying some of my own actions as I took the photographs. This picture was only recently discovered, and is the next frame to one used for the album sleeve. It has never been published before." Chris Gabrin
