-
Custom limited edition of 25, dye-sublimated on white coated aluminium, cut-out with subframe giving 3D effect. Can be made in a bespoke size up to 250cm / 98 inches long. The 3D cut-out can be displayed unframed or framed.
-
Limited edition of 75 + 7 artists proofs created from a traditional process in a mix of antique wood and movable type, each one individually numbered. Printed on Azure blue 270 gsm G.F Smith Colorplan paper. Paper size 40 x 64 cm / 15.75 x 25 inches. The price is shown for an unframed print. We can organise framing – please ask for a quote for framing and delivery based on your location. There are no delivery charges in the UK for an unframed print. Delivery charges apply outside the UK mainland.
-
Peter Anderson's signed limited edition photographs are made by Peter in his own darkroom.
-
Peter Anderson's signed limited edition photographs are made by Peter in his own darkroom.
-
Peter Anderson's signed limited edition photographs are made by Peter in his own darkroom.
-
Here's Paul Weller photographed by Peter Anderson in 1984 on the location of the Style Council's video for their fifth single, "My Ever Changing Moods." Peter Anderson's signed limited edition photographs are made by Peter in his own darkroom.
-
Peter Anderson's signed limited edition photographs are made by Peter in his own darkroom.
-
Peter Anderson's signed limited edition photographs are made by Peter in his own darkroom.
-
Peter Anderson's signed limited edition photographs are made by Peter in his own darkroom.
-
Peter Anderson's signed limited edition photographs are made by Peter in his own darkroom.
-
I read somewhere that this is Paul Weller’s favourite photograph of The Jam. Maybe that’s because it is just him and Bruce — or maybe it is because it is a truly great image. We call it “tripod” because Bruce and Paul seem to have fused into a rock-solid three-legged entity. One thing you may not notice at first - see how the shadows form edgy geometric shapes on the floor. Taken in 1978, this photograph appeared on the front cover of NME on 4 November of that year, under the headline “Jam today”. This silver gelatin photograph is made in the darkroom from Pennie Smith's original negative on 16 x 20 inch paper, and signed on the front under the image area by Pennie Smith. The image size is 11 x 16 inches approx. The price is shown for an unframed photograph - please ask if you require framing.
-
What a treat to be able to offer Pennie Smith's photographs to our clients. I love this 1980 photograph of Paul Weller taken at The Town House studios, during the recording of my favourite Jam album, Sounds Affects. It plays a nice visual trick on the viewer. If you start at the top you would be forgiven for thinking that the moon is shining down on an outdoor scene—and the corrugated sheets in the background seem to confirm that thought. Then, once you see the floorboards and microphones you realise your first impressions were wrong. This silver gelatin photograph is made in the darkroom from Pennie Smith's original negative on 16 x 20 inch paper, and signed on the front under the image area by Pennie Smith. The image size is 11 x 16 inches approx. The price is shown for an unframed photograph - please ask if you require framing.
