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In Spines #4 The Beatles, Keith Haynes recreates the spines of thirty-four 12-inch singles and albums by The Beatles. This is not a photograph – it is a drawing which Keith makes from scratch, painstakingly recreating and combining each spine into the overall artwork. There are two versions of Spines #4 The Beatles: a smaller version with a 50 x 50 cm image printed on 66 x 66 cm paper, which can be supplied framed or unframed. The second option is a larger 90 x 90 cm image size (with no white border around the image) which is mounted on dibond and supplied in a black tray frame, ready to hang.
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This mini contact sheet of nine individual frames consists of images taken by Duffy in 1965 after the Beatles had returned to the UK from playing at the Shea Stadium, New York. Lennon had picked up the box in a New York novelty store which had been sold to him as a ‘UFO detector.’ It had lights that went on and off intermittently and he brought it to Duffy’s studio for the amusement of the studio team.
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Set of four vinyl heads cut from original 7 inch singles, presented on apple green background in a 25cm x 25cm white box frame. Unique edition of 20 (+ 2 APs ) signed by Keith Haynes and individually numbered. Price includes frames, but not delivery.
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Mixed media piece cut from original 12 inch vinyl John Lennon albums and presented in 52 x 52cm black box frame. Unique (as no two are exactly alike) edition of 10 (+2 AP), signed and numbered by Keith Haynes. Price includes black box frame (ready for hanging) but not delivery
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From an original black and white photograph by David Porter taken in 1963, and subjected to a painstaking 200 hour colourisation process in 2015 by Michael Spencer Jones.
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This photo was taken by Duffy in 1965 after the Beatles had returned to the UK from playing at the Shea Stadium New York that had been the highlight of their U.S. tour. Lennon had picked up this box in a New York novelty store which had been sold to him as a ‘UFO detector.’ It had lights that went on and off intermittently and he brought it to Duffy’s studio for the amusement of the studio team.
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Archival silver gelatin print, 12 x 19 inch image size, limited edition of 25. Signed by Duffy on the front, numbered and ink-stamped on reverse. Price for unframed photograph excluding VAT. Paul McCartney and producer George Martin shot by Duffy recording the soundtrack for the film The Family Way at Cine Tele Sound (CTS) studios in November 1966 – The same month recording began for Sgt. Pepper’s Lonely Hearts Club Band.
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Mixed media: original album sleeves95 x 95cm in black wood box frameUnique (as no two are exactly alike) edition of 5 + 2apsPrice includes frame (ready for hanging) but not delivery.
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Archival pigment print, 10 x 16 inch image size, limited edition of 10. Signed by Duffy on the front, numbered and ink-stamped on reverse. Price for unframed photograph excluding VAT. Shot by Duffy in 1965 for John Lennon’s book John Lennon: an anthology of Lennon’s poetry. This photograph appeared on the rear cover and the book was designed by Alan Aldridge who nicknamed himself ‘The man with the Kaleidoscope Eyes’ from the Beatles song ‘Lucy in the Sky with Diamonds’. John frequently stopped by to see Duffy at home and once asked ‘Can I bring my mate Ringo in..?’
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Mixed media piece cut from original 7 inch vinyl Beatles love songs and presented in 70 x 70cm perspex box case. Unique edition of 20 (+2 AP's), signed and numbered by Keith Haynes. Price includes perspex box frame (ready for hanging) but not delivery.
