-
Roger Kasparian: Keith signs an autograph
£ 650 – £ 2,500In the lobby of Le Bourget airport, Paris, 16th January 1964 -
Roger Kasparian: Jacques Dutronc, Les Abbatoirs de Vaugirard
£ 650 – £ 2,500Jacques Dutronc, Les Abbatoirs de Vaugirard, Dim Dam Dom TV show, broadcast 10 March 1968 -
Roger Kasparian: Jacques Brel, last concert
£ 650 – £ 2,500Jacques Brel's last concert, October 1966. -
Roger Kasparian: Francoise Hardy with pigeons
£ 650 – £ 2,500Francoise Hardy with pigeons, Paris, April/May 1962. Francoise has her first record "Tous les garcons et les filles". -
Roger Kasparian: Francoise Hardy with her press
£ 650 – £ 2,500Taken at Francoise's apartment, near La Place d'Estienne d'Orves near the La Trinity church in Paris 9th arrondissement in Spring 1962. -
Roger Kasparian: Francoise Hardy with flowers
£ 650 – £ 2,500Francoise has her first record "Tous les garcons et les filles", and this was taken in Spring 1962, in Paris. Check out the little dude in the background. -
Francoise Hardy in "Jardin des Tuileries" in Paris during a German TV show in 1967.
-
Roger Kasparian: Francoise Hardy and Sylvie Vartan
£ 650 – £ 2,500Francoise Hardy with Sylvie Vartan, backstage at The Olympia, Paris, November 1963 -
Roger Kasparian: Edith Piaf at The Olympia
£ 650 – £ 1,300Edith Piaf taken at the Olympia in Paris, the she day married Theo Sarapo, on 9 October 1962. -
Roger Kasparian: Beach Boys in the window
£ 650 – £ 2,500On the 18th November 1964, this picture was taken on the Champs Elysees. The Beach Boys were looking at the international press at the windows of an old newsstand, Roger went in and took this picture. -
Roberta Bayley: Ramones, first album cover photograph
£ 1,127 – £ 6,400 -
Ricochet : David Bowie 1983 is a museum quality fine art boxed set, limited to 2000 copies.
Released 2018 Published by Moonlight Books ISBN 978-1-9999128-0-2 Packaged in a transparent heavy duty acrylic case, and delivered in a collectible outer carton, this boxed set is hand numbered, features the official David Bowie Estate stamp and is presented in a luxurious white cloth compartmented box. The whole package weighs 15 kilos (33 lbs). The book package contains: The limited edition book: One 17.51×11.69 inch (445×297 mm) cloth covered coffee table book, 320 pages, 150 gsm paper, thread sewn, case bound. Ricochet contains hundreds of exceptional personal and intimate photographs which are being shared for the first time, and every image in the book was personally approved by David Bowie. Many photographs feature captions by Denis with a personal memory. The book also contains facsimiles of handwritten lyrics by David from songs performed on the tour. Three signed limited edition prints: Three 20×16 inch (508×406 mm) fine art photographic prints and matching certificates on Hahnemühle 308 gsm Photo Rag paper signed and hand numbered by Denis O’Regan; each in a limited edition of 50 prints, identified by Tagsmart advanced secure encryption. Delivered in a folder referencing David’s Serious Moonlight stage attire. Please note that the prints / certificates shown are for illustration and the actual prints in the box set will vary. Four additional books: Four 10.8 inch (254×203 mm) hardback cloth covered books of 64 pages, each featuring a graphic representation of one of David’s Serious Moonlight tour stage costume. Book 1 – Serious Moonlight: Features a ticket from every city on the tour. Book 2 – You Pretty Things: Features additional photographs, including contact sheets marked up by David. Book 3 – Divine Symmetry: Features copies of set lists, itineraries, rooming lists, stage set designs, costume designs, and other tour related memorabilia. Book 4 – Word On a Wing: Features words and lyrics by David Bowie and an introduction by Denis O’Regan. Exclusive vinyl: One exclusive limited edition 12 inch red vinyl featuring ‘Ricochet’ on Side A and ‘Let’s Dance’ (remastered by Nile Rogers) on Side AA. © Warner Music Bowie estate certificate: One 20×16 inch (508×406 mm) certificate signed by the photographer; featuring the individual book number and official David Bowie Estate stamp designed by Jonathan Barnbrook and authenticated by Tagsmart advanced secure encryption, and a comprehensive list of the contents of the book package. -
Platinum Icons box set collection
£ 2,000 – £ 23,000Gered Mankowitz has selected eight of his most important photographs from his 1960s archives to produce as platinum prints and present in this very special box set collection. This beautiful portfolio of eight 15 x 19 inch platinum prints is offered to collectors in an edition of 35 box sets. The subjects featured are: Jimi Hendrix Smoking, Masons Yard Studio, London (1967) ; Jimi Hendrix: Classic, Masons Yard Studio, London (1967) ; The Rolling Stones, Caged, London (1965) ; Mick Jagger, RCA studios, Hollywood (1965) ; The Rolling Stones, Primrose Hill, London (1966) ; Marianne Faithfull, The Salisbury Pub, St Martins Lane, London (1964) ; The Yardbirds, Ormond Yard, London (1966) ; Eric Clapton, Twickenham film Studios (1969) Platinum prints are among the most beautiful and permanent forms of photographic reproduction, revealing textures, depth and tones that are unmatched by other processes. Each platinum photograph is made by hand on Arches Aquarelle Watercolour paper, measuring 15 inches by 19 inches, and each one is signed and numbered in pencil by Gered Mankowitz on the front of the paper just below the image area. Each photograph is then archivally window mounted to display the image area. The title, subject, location and date are embossed onto the mount. Although image sizes vary, the mounts are cut to a consistent size (16 x 20 inches) which ensures that when framed, the photographs all have the same external dimensions so that when framed, they can hang together in perfect symmetry. They are supplied mounted, but unframed, and housed in a beautiful 17 x 21 inch acid free purple portfolio box with Gered Mankowitz's signature on the front. The mounts are cut to cover the signature and number. Prices are shown excluding VAT. This is added at checkout where applicable. -
Unique original vintage contact sheet on 8 x 10 inch paper from Peter Webb’s historic Sticky Fingers LP sleeve session with the Rolling Stones. Shows some signs of usage, as would be expected from a working contact sheet of this vintage. Features Peter Webb’s original notations and chinagraph markings. Sheet size 8 x 10 inches (20 x 25.5 cm) Each image measures 2.25 x 2.25 inches (approx 5.7 x 5.7 cm). Supplied framed and ready to hang, with certificate of authenticity signed by Peter Webb on reverse of frame. Black wood frame, low glare u/v filtered art glass, window mounted with mount cut to show entire contact sheet. Framed and ready to roll. Prices include framing and delivery.
-
Unique original vintage contact sheet on 8 x 10 inch paper from Peter Webb’s historic Sticky Fingers LP sleeve session with the Rolling Stones. Shows some more significant signs of usage compared to the other contact sheets, hence reduced price. Features Peter Webb’s original notations and chinagraph markings. Sheet size 8 x 10 inches (20 x 25.5 cm) Each image measures 2.25 x 2.25 inches (approx 5.7 x 5.7 cm). Supplied framed and ready to hang, with certificate of authenticity signed by Peter Webb on reverse of frame. Black wood frame, low glare u/v filtered art glass, window mounted with mount cut to show entire contact sheet. Contact sheets are currently unframed - please allow approx three weeks for framing and delivery. Prices include framing and delivery.
-
Unique original vintage contact sheet on 8 x 10 inch paper from Peter Webb’s historic Sticky Fingers LP sleeve session with the Rolling Stones. Shows some signs of usage, as would be expected from a working contact sheet of this vintage. Features Peter Webb’s original notations and chinagraph markings. Sheet size 8 x 10 inches (20 x 25.5 cm) Each image measures 2.25 x 2.25 inches (approx 5.7 x 5.7 cm). Supplied framed and ready to hang, with certificate of authenticity signed by Peter Webb on reverse of frame. Black wood frame, low glare u/v filtered art glass, window mounted with mount cut to show entire contact sheet. Contact sheets are currently unframed - please allow approx three weeks for framing and delivery. Prices include framing and delivery.
-
Unique original vintage contact sheet on 8 x 10 inch paper from Peter Webb’s historic Sticky Fingers LP sleeve session with the Rolling Stones. Shows some signs of usage, as would be expected from a working contact sheet of this vintage. Features Peter Webb’s original notations and chinagraph markings. Sheet size 8 x 10 inches (20 x 25.5 cm) Each image measures 2.25 x 2.25 inches (approx 5.7 x 5.7 cm). Supplied framed and ready to hang, with certificate of authenticity signed by Peter Webb on reverse of frame. Black wood frame, low glare u/v filtered art glass, window mounted with mount cut to show entire contact sheet. Contact sheets are currently unframed - please allow approx three weeks for framing and delivery. Prices include framing and delivery.
-
Unique original vintage contact sheet on 8 x 10 inch paper from Peter Webb’s historic Sticky Fingers LP (1971) sleeve session with the Rolling Stones. Shows some signs of usage, as would be expected from a working contact sheet of this vintage. Features Peter Webb’s original notations. Sheet size 8 x 10 inches (20 x 25.5 cm) Each image measures 4 x 5 inches (approx 10 x 12.5 cm). Supplied framed and ready to hang, with certificate of authenticity signed by Peter Webb on reverse of frame. Black wood frame, low glare u/v filtered art glass, window mounted with mount cut to show entire contact sheet. Contact sheets are currently unframed - please allow approx three weeks for framing and delivery. Prices include framing and delivery.
-
Peter Anderson: The Style Council – Smoke Profile
£ 395 – £ 1,200Peter Anderson's signed limited edition photographs are made by Peter in his own darkroom. -
Peter Anderson: The Style Council – Sapeurs-Pompiers
£ 395 – £ 1,200Peter Anderson's signed limited edition photographs are made by Peter in his own darkroom. -
Peter Anderson: The Style Council – Paul Weller portrait
£ 395 – £ 1,200Peter Anderson's signed limited edition photographs are made by Peter in his own darkroom. -
Here's Paul Weller photographed by Peter Anderson in 1984 on the location of the Style Council's video for their fifth single, "My Ever Changing Moods." Peter Anderson's signed limited edition photographs are made by Peter in his own darkroom.
-
Peter Anderson: The Style Council – Mick and Paul in Paris
£ 395 – £ 1,200Peter Anderson's signed limited edition photographs are made by Peter in his own darkroom. -
Peter Anderson: The Style Council – Lord of the flies
£ 395 – £ 1,200Peter Anderson's signed limited edition photographs are made by Peter in his own darkroom. -
Peter Anderson: The Style Council – French Style
£ 395 – £ 1,200Peter Anderson's signed limited edition photographs are made by Peter in his own darkroom. -
Peter Anderson's signed limited edition photographs are made by Peter in his own darkroom.
-
I read somewhere that this is Paul Weller’s favourite photograph of The Jam. Maybe that’s because it is just him and Bruce — or maybe it is because it is a truly great image. We call it “tripod” because Bruce and Paul seem to have fused into a rock-solid three-legged entity. One thing you may not notice at first - see how the shadows form edgy geometric shapes on the floor. Taken in 1978, this photograph appeared on the front cover of NME on 4 November of that year, under the headline “Jam today”. This silver gelatin photograph is made in the darkroom from Pennie Smith's original negative on 16 x 20 inch paper, and signed on the front under the image area by Pennie Smith. The image size is 11 x 16 inches approx. The price is shown for an unframed photograph - please ask if you require framing.
-
What a treat to be able to offer Pennie Smith's photographs to our clients. I love this 1980 photograph of Paul Weller taken at The Town House studios, during the recording of my favourite Jam album, Sounds Affects. It plays a nice visual trick on the viewer. If you start at the top you would be forgiven for thinking that the moon is shining down on an outdoor scene—and the corrugated sheets in the background seem to confirm that thought. Then, once you see the floorboards and microphones you realise your first impressions were wrong. This silver gelatin photograph is made in the darkroom from Pennie Smith's original negative on 16 x 20 inch paper, and signed on the front under the image area by Pennie Smith. The image size is 11 x 16 inches approx. The price is shown for an unframed photograph - please ask if you require framing.
-
Paul Weller in cream trousers and corduroy overcoat photographed by Pennie Smith at the video shoot for “Funeral Pyre”. The filming took place at Horsell Common, near Woking in 1981. This silver gelatin photograph is made in the darkroom from Pennie Smith's original negative on 16 x 20 inch paper, and signed on the front under the image area by Pennie Smith. The image size is 11 x 16 inches approx. The price is shown for an unframed photograph - please ask if you require framing.
-
The Jam by Pennie Smith As a photographer you have to be in the right place at the right time. Then you need that blend of skill and luck. The result is this perfect composition. Paul Weller leans back and launches into one on his Rickenbacker. Bruce Foxton leaps so high that he reveals Rick Buckler on drums in the background. The best bit - look at how Bruce's legs form into a perfect 'A', synching with the logo behind. This is a silver gelatin photograph made in the darkroom from the original negative on 16 x 20 inch paper, and signed on the front under the image area by Pennie Smith. The image size is 11 x 16 inches approx. The price is shown for an unframed photograph - please ask if you require framing.
-
Early days—1977—and Pennie Smith captures The Jam in matching black suits, white shirts, black ties and black & white shoes. Three aliens from another time and place, dropped into a London street scene. Life goes on oblivious in the background, but something is starting….. and as a wise man once said: the kids want some action. Who can f****** blame them ? This silver gelatin photograph is made in the darkroom from Pennie Smith's original negative on 16 x 20 inch paper, and signed on the front under the image area by Pennie Smith. The image size is 11 x 16 inches approx. The price is shown for an unframed photograph - please ask if you require framing.
-
Paul Weller photographed behind Manor Studios, Oxford in 1995 by Pennie Smith. This silver gelatin photograph is made in the darkroom from Pennie Smith's original negative on 16 x 20 inch paper, and signed on the front under the image area by Pennie Smith. The image size is 11 x 16 inches approx. The price is shown for an unframed photograph - please ask if you require framing.
-
A dramatic portrait of Paul Weller by Pennie Smith, taken close to The Manor Studios, near Oxford, in 1995. Achieving the balance between the light on Paul's face and the dark outline of the ruins behind requires the supreme skill of a master black and white hand-printer. This silver gelatin photograph is made in the darkroom from Pennie Smith's original negative on 16 x 20 inch paper, and signed on the front under the image area by Pennie Smith. The image size is 11 x 16 inches approx. The price is shown for an unframed photograph - please ask if you require framing.
-
Olly Ball: The Style Council – Our Favourite Shop session
£ 395 – £ 2,500Olly Ball’s recollections of the session are fascinating: “We shot the cover of Our Favourite Shop on a Sunday afternoon in London in April or May 1985, at Bow Street Studios in Covent Garden. I was based there for ten years.” “I wasn’t a rock photographer as such. I mostly shot magazine editorial in those days. I was offered the job because Simon Halfon, the designer, had seen some photos I’d shot for the Observer Magazine Living Extra. These were pictures of rooms based on a TV programme; so we’d have Jewel In The Crown on the TV and all the props and food would be Indian. The other themes were Dallas, Arena and The Tube.” “Most of the stuff in the shop belonged to Paul and Mick, but the snooker cue and George Best coat hanger are mine. Fran Crawley was the stylist and she supplied the counter, book-rack etc. The set was built by my assistant, and great friend, Ross Kerridge with Peter Chatterton. Paul and Mick dressed most of the set, but we were all involved, and I shot it on a Mamiya RB6x7 on a 90mm lens.” “I’m happy to say it went straight to number 1 in the album charts, but it remains the only album cover I ever shot.” -
Limited edition of 195 archival pigment prints, image size 18 x 18 inches, paper size 24 x 25 inches. Signed and numbered by Michael Spencer Jones on the front under the image, supplied with certificate. Unframed price
