• Footbridge, East London

    Roger Sargent remembers: Again, from the east London safari that was the first photo session we did. This is one of my favourite images of the band. It looks like it’s taken in Long Kesh or something.
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  • Carl and Peter at the Freedom gig, Tap ‘n’ Tin, Chatham

    Roger explains: This is from the same roll of film as the now iconic second LP cover photo. 
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  • Howling at the pre-gig ritual, London

    Roger recalls: It's still the pre-gig ritual today, and I feel privileged to be the only person allowed to see this.
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  • Innocent, Brick Lane, London

    Roger Sargent remembers: Someone told me recently that the writing—a William Burroughs quote—was sprayed by Banksy. At the time his work, and that by other artists, was dotted around the east end. One of these shots became the cover for the documentary I made about the band. Apt sentiment.
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  • Kate Moss, Peter and Carl at The Boogaloo Bar, North London, 18 April 2005

    Roger Sargent recalls: This was one of many truly strange days. Carl had called me to say that he and Peter would be meeting up for the first time since the band split. They would be meeting in the Boogaloo and he wanted me come along for moral support—moral support under the guise of documenting the meet up. I stuck with him and knowing that Peter wouldn’t mind, and that it would diffuse the atmosphere a little, I snapped a few frames of the two embracing. Suddenly Kate plonked herself down next to the pair of them. It was quite frustrating because she clearly did it to get into the pictures—but then complained about my photographing her. I told her I’d rather she wasn’t in the pictures, but she didn’t move. Later, she took me aside and told me a bizarre story of how she’d had a photographer beaten up, like it was supposed to rattle me. It didn’t.
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  • Peter live, London

    Roger Sargent explains: Their live shows were often so much about chaos and camaraderie, I wanted to include a favourite photo with less of the usual madness.
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  • Peter’s bedroom, London

    Roger Sargent remembers: When we arrived at Carl and Peter’s Bethnal Green flat at the assigned time, none of the band were there. Luckily Tony Linkin (the band's publicist) had a spare key. They introduced me to a new experience – a band being late to meet me in their own home! The lounge was a sight to behold. You literally could not see the floor for “knees up” detritus. The bath was full of washing up from the kitchen and the toilet didn’t flush. Turns out the water had been turned off and they’d resorted to filling it with bottled mineral water in order to expunge it’s contents.
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  • Recording their second album, The Libertines, Metropolis Studios, West London, Spring 2004

    Roger Sargent recalls: Recording the second LP happened in fits and starts as I remember. Without Mick Jones things would have probably gone a lot worse. This was a band in the middle of bearing their collective souls in the most candid and brutal way possible.
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  • Rehearsing for the Reading Festival, Kings Cross, London

    Roger Sargent reflects: It was such a genuinely joyful experience being at the first rehearsals when the band reformed. They’d been somewhat shoehorned together for the payday but who gives a fuck, hearing the first few bars of ‘Horror Show’ again was godlike.
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  • Second shoot, London

    Roger Sargent reflects: If there’s a better looking, cooler band out there then I’ve not seen them.
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  • The Libertines in red jackets, London

    Roger Sargent explains: So, the band’s take on my request for uniformity, taken literally. There was a little hoo-ha about even shooting the band wearing these jackets because of perceived negative connotations from other bands. Menswear—of Britpop vintage—had worn something similar at some point, but I insisted we shoot them regardless. They just looked so good. It was the first time I remember shooting something and believing it to be iconic immediately. Again, few people agreed so the photos were “binned” for a year or so. 
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  • Bagel Bakery, Brick Lane, London

    Roger Sargent reflects: This was part of the first session we did. The photographs were ‘binned’ for many years as the band were certainly embryonic in terms of their look. The band that launched dozens of fashion campaigns they were not. In retrospect though these pictures (and there are many) now have a certain timeless quality.
    A signed limited edition photograph available in a choice of size options. Click on the size options below to see available sizes and prices.  Please allow 2-3 weeks between order and delivery for an unframed photograph.  If you would like a quote for framing please just ask. Framing adds 2-3 weeks.
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