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Out of stock
- Ultra large format hardcover book, 96 pages, with introduction by Peter Webb.
- A worldwide limited edition of 500 numbered examples, each one signed by Peter Webb.
- When closed, the book measures 24 inches high by 18 inches wide (60x45cm). When the book is open, double page spreads measure 24 x 36 inches (60x90cm).
- Contains Peter Webb's entire surviving Sticky Fingers archive, believed lost for many years, now rediscovered and preserved for posterity.
- Approximately 100 photographs, with around two-thirds of content previously unpublished.
- Clean and elegant layouts allow us to show certain images across double page spreads, revealing incredible levels of detail.
- The book is housed in a beautiful custom slipcase which reproduces the book cover art.
- The front cover of the book and slipcase features one of Peter Webb's most famous images, Falling Stones. The back cover of the book and slipcase shows a previously unpublished colour photograph from the session.
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Supplied in black wood frame with window mount cut to show signature and number and with uv filtered art glass. The print is framed, in inventory and ready to deliver. Limited edition of 500, signed/numbered by Sir Peter Blake, made by Coriander Studios on 410gsm Somerset Cotton archive paper, Apple logo embossed in the bottom margin, image 19.5 x 19.5 inches. Framed dimensions 28.5 x 29.5 inches.
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Specifications
- Ultra-large-format signed limited edition hardcover book, 96 pages.
- Housed in a custom printed slipcase.
- A worldwide limited edition of 750 numbered copies, each one signed by John d Green.
- When closed, the book measures 24 inches high by 18 inches wide (60 x 45cm).
- When the book is open, double page spreads measure 24 x 36 inches (60 x 90cm).
- Contains around 200 photographs, 70% previously unpublished.
- Timing–in stock and shipping now.
- Shipping - UK no charge / Europe £50 / USA £75 / Rest of World £95
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Out of stockThis actual print was the personal property of the late great John Entwistle. In May 2003, Sothebys in London auctioned 386 lots belonging to John Entwistle. The majority of lots consisted of guitars, but lot number one in the auction comprised John’s favourite photographs of The Who, which originally hung on the walls of his home. This group portrait by Tom Wright of The Who was one of the photographs in that first lot. It has a removable Sotheby’s sticker on the glass in the front left corner, and a Sotheby’s ticket strung on the reverse. It is in its original wood frame—the one John Entwistle had when he owned it—which has a good few scratches on the front and could definitely do with a reframe. It is priced in its original frame but could be reframed for an additional £200. There is no visible signature. The image measures 18 x 23 inches, and the frame measures 24 x 28 inches. American photographer Tom Wright (1944 - 2022) met Pete Townshend as a student at Ealing College of Art, and left Pete in charge of his vast blues and R&B record collection when he returned to the USA. He never did get those records back, but he kept in contact with the band and was their road manager on tour in the USA in 1967 and 1968, photographing them extensively during this period.
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This actual print was the personal property of the late great John Entwistle. In May 2003, Sothebys in London auctioned 386 lots belonging to John Entwistle. The majority of lots consisted of guitars, but lot number one in the auction comprised John's favourite photographs of The Who, which originally hung on the walls of his home. This portrait by Tom Wright of Roger Daltrey and a ladyfriend was one of the photographs in that first lot. It has been signed and dated by Tom Wright and bears the embossed stamp of his archive. This is a silver gelatin print made by hand in the darkroom from the original negative in the darkroom on matt paper. The sheet size is 20 x 24 inches, and the image measures 16 x 20 inches. There are some small scuffs to the border, but these would not be visible when framed. American photographer Tom Wright (1944 - 2022) met Pete Townshend as a student at Ealing College of Art, and left Pete in charge of his vast blues and R&B record collection when he returned to the USA. He never did get those records back, but he kept in contact with the band and was their road manager on tour in the USA in 1967 and 1968, photographing them extensively during this period.
