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AC/DC, photographed by Martyn Goddard in 1976 at Shepperton Studios—his first session with the band. Available as a signed and numbered limited edition in a choice of physical sizes—up to a monster 40x60 inch version. Prints are made to order. Please allow 2-3 weeks between order and delivery.
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AC/DC, photographed by Martyn Goddard in 1976 at Shepperton Studios—his first session with the band. Available as a signed and numbered limited edition in a choice of physical sizes—up to a monster 40x60 inch version. Prints are made to order. Please allow 2-3 weeks between order and delivery.
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AC/DC, photographed by Martyn Goddard in 1976 at Shepperton Studios—his first session with the band. Available as a signed and numbered limited edition in a choice of physical sizes—up to a monster 40x60 inch version. Prints are made to order. Please allow 2-3 weeks between order and delivery.
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AC/DC, photographed by Martyn Goddard in 1976 at Shepperton Studios—his first session with the band. Available as a signed and numbered limited edition in a choice of physical sizes—up to a monster 40x60 inch version. Prints are made to order. Please allow 2-3 weeks between order and delivery.
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Picture This 1978 is a portfolio box set of 25 signed limited edition photographs of Debbie Harry and Blondie taken in the UK and USA by Martyn Goddard in 1978 when the band were at the peak of their powers. Each 10 x 12 inch photograph is signed and numbered on the front under the image area by Martyn Goddard, and all the photographs in each set have matched edition numbers. Each photograph is contained in its own transparent protective sleeve. The set of 25 photographs are housed in a faux-leather grey clamshell portfolio box with silver embossing, along with a separate three page background note with Martyn's recollections of the sessions, which is also signed and numbered by Martyn. There is also a single page sheet of small 'thumbnail' images and captions, so that you can keep the 10x12 photographs in the correct sequence (if you want to). Just 20 box sets will be made available to collectors. The dimensions of the box are 13 x 10.5 x 3 inches. There are no extra delivery charges anywhere in the world. Prices are shown excluding VAT, which is added at checkout for UK deliveries. Please allow two weeks between order and despatch.
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Out of stockJohn Lennon by John "Hoppy" Hopkins. Hoppy was on set with The Beatles at Teddington studios in 1964 while they rehearsed for their performance on ABC's Thank Your Lucky Stars. A signed photograph on 16 x 20 inch paper, signed by Hoppy in silver pen in the front right bottom corner of the image. Framed in slim profile black metal frame. Framed size 18 x 24 inches approx. The visible image area is 13 x 19 inches approx. One example only. In stock and ready to ship framed to the new owner.
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"Look behind You Brian!" Brian Jones by John "Hoppy" Hopkins. Hoppy's photograph taken from the stage looking out to the audience shows Brian Jones performing during the Stones' set at the All Night Rave at London's Alexandra Palace in June 1964. A signed photograph on 12 x 16 inch paper, signed by Hoppy in silver pen in the front right bottom corner of the image. Framed in slim profile black metal frame. Framed size 15.5 x 20.5 inches approx. The visible image area is 10 x 15 inches approx. One example only. In stock and ready to ship framed to the new owner.
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Out of stockMick Jagger and Anita Pallenberg, on the set of Performance A silver gelatin photograph on 16 x 20 inch paper, from a posthumous estate issued limited edition of 25 examples, with official Michael Cooper archive stamp, numbered on the front. One example only at this special price. In stock and ready to ship unframed to the new owner.
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Keith Richards and Anita Pallenberg, Joshua Tree National Park A silver gelatin photograph on 16 x 20 inch paper, from a posthumous estate issued limited edition of 25 examples, with official Michael Cooper archive stamp, numbered on the front. One example only at this special price. In stock and ready to ship unframed to the new owner.
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Mixed media: original vinyl and perspex. Framed size 80 x 60cm, in white wood frame. Unique (as no two are exactly alike) edition of 10 + 2 artists proofs, signed on the reverse by Keith Haynes. Price includes frame and UK mainland delivery. Delivery costs apply for customers outside the UK. Please ask for a quote based on your location. Please allow 4-6 weeks between order and delivery.
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This actual print was the personal property of the late great John Entwistle. In May 2003, Sothebys in London auctioned 386 lots belonging to John Entwistle. The majority of lots consisted of guitars, but lot number one in the auction comprised John’s favourite photographs of The Who, which originally hung on the walls of his home. This group portrait by Tom Wright of The Who was one of the photographs in that first lot. It has a removable Sotheby’s sticker on the glass in the front left corner, and a Sotheby’s ticket strung on the reverse. It is in its original wood frame—the one John Entwistle had when he owned it—which has a good few scratches on the front and could definitely do with a reframe. It is priced in its original frame but could be reframed for an additional £200. There is no visible signature. The image measures 18 x 23 inches, and the frame measures 24 x 28 inches. American photographer Tom Wright (1944 - 2022) met Pete Townshend as a student at Ealing College of Art, and left Pete in charge of his vast blues and R&B record collection when he returned to the USA. He never did get those records back, but he kept in contact with the band and was their road manager on tour in the USA in 1967 and 1968, photographing them extensively during this period.
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Out of stockThis actual print was the personal property of the late great John Entwistle. In May 2003, Sothebys in London auctioned 386 lots belonging to John Entwistle. The majority of lots consisted of guitars, but lot number one in the auction comprised John’s favourite photographs of The Who, which originally hung on the walls of his home. This portrait by Colin Jones of The Who was one of the photographs in that first lot. It has a removable Sotheby’s sticker on the glass in the front left corner, and a Sotheby’s ticket strung on the reverse. It is in its original wood frame—the one John Entwistle had when he owned it—which has a small scratch on the top section. It is priced in its original frame but could be reframed for an additional £200. There is no visible signature. The image measures 16.5 x 23 inches, and the frame measures 21.5 x 28 inches. British photographer Colin Jones (1936-2021) first photographed the Who in 1965, when this photograph was taken in Wapping Lane, in London’s Surrey Docks - “one of my haunts down in the East End docklands” as Colin recalled later. Colin’s poignant and evocative images of the British working class from the last of the dock workers to the final days of the miners and steel workers are rightly acclaimed. Bill Brandt was a major fan of Colin’s work, which has been shown in major exhibitions in London, Washington and beyond.
