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Prices are shown excluding VAT. This is added at checkout where applicable.
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Prices are shown excluding VAT. This is added at checkout where applicable.
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Prices are shown excluding VAT. This is added at checkout where applicable.
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For his incredible graphic novel album commissions, Jamie Byrne takes a favourite LP and represents each of the tracks in graphic novel style. Jamie will create a bespoke original commission for you, focusing on your album of choice, made with a 100 x 100 cm image size (or a smaller size of your choice to suit your space). Each original commission is made on high-gloss coated aluminium, framed in a tray frame without glazing, and signed and numbered 1/1 by Jamie on the reverse. Once an original is created, Jamie makes limited editions of 10 with a 50 x 50 cm / 20 x 20 inch (approx) image and 10 with a 75 x 75 cm / 30 x 30 inch (approx) image. The limited editions are archival pigment prints on paper, and can be supplied unframed or framed. Prices for the limited editions are shown without frames. Please ask for a quote if you would like us to arrange framing.
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This beautiful close up portrait was the product of Julian Broad's first session with Paul Weller, taken shortly after the release of his first solo album in 1992.
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This is Julian Broad's cover photograph for Paul Weller's fifth solo album, Heliocentric, released in April 2000. Julian Broad started working with Paul Weller in 1992, shortly after the release of his first solo album. Heliocentric was Broad's first album cover session with Paul Weller, and he was very excited about the prospect. The location for the shoot was London's Ragged School studio, and the session was inspired by the cover of Free's 1970 album Fire and Water.
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The cover photograph from Paul Weller's 2012 solo album, Sonik Kicks.
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In Spines #7 Paul Weller, Keith Haynes recreates the spines of fifty five 12-inch singles and albums by The Jam, The Style Council and Paul Weller. This is not a photograph – it is a drawing that Keith makes from scratch, painstakingly recreating and combining each spine into the overall artwork. There are two versions of Spines #7 Paul Weller: a smaller version with a 50 x 50 cm image printed on 66 x 66 cm paper, which can be supplied framed or unframed. The second option is a larger 90 x 90 cm image size (with no white border around the image) which is mounted on dibond and supplied in a black tray frame, ready to hang.
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Mixed media: Original 7” and 12” Jam record sleeves. Unique edition of 5.Each one is different, and individual sleeves will vary from piece to piece. Framed size 95 cm x 95 cm, in white box frame. Price includes frame but not delivery. Please ask for a quote for delivery based on your location.
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Mixed media piece cut from original Jam album, plus red and blue vinyl records. Each one is different, and individual albums will vary from piece to piece. Choose your favourite album if you like, or leave it to us. You can see Sound Affects and All Mod Cons here. Unique edition of 50, each piece signed and numbered by Keith Haynes. Standard version is presented in a 52cm x 52cm white wood frame, with a circular white mount. As an alternative, you can choose a black frame with a red circular mount. Price includes frame but not delivery. Please ask for a quote for delivery based on your location.
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Each photograph is made to order and signed and numbered by Kevin Westenberg. Please allow up to three weeks between order and delivery.
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Each photograph is made to order and signed and numbered by Kevin Westenberg. Please allow up to three weeks between order and delivery.
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Olly Ball’s recollections of the session are fascinating: “We shot the cover of Our Favourite Shop on a Sunday afternoon in London in April or May 1985, at Bow Street Studios in Covent Garden. I was based there for ten years.” “I wasn’t a rock photographer as such. I mostly shot magazine editorial in those days. I was offered the job because Simon Halfon, the designer, had seen some photos I’d shot for the Observer Magazine Living Extra. These were pictures of rooms based on a TV programme; so we’d have Jewel In The Crown on the TV and all the props and food would be Indian. The other themes were Dallas, Arena and The Tube.” “Most of the stuff in the shop belonged to Paul and Mick, but the snooker cue and George Best coat hanger are mine. Fran Crawley was the stylist and she supplied the counter, book-rack etc. The set was built by my assistant, and great friend, Ross Kerridge with Peter Chatterton. Paul and Mick dressed most of the set, but we were all involved, and I shot it on a Mamiya RB6x7 on a 90mm lens.” “I’m happy to say it went straight to number 1 in the album charts, but it remains the only album cover I ever shot.”
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A dramatic portrait of Paul Weller by Pennie Smith, taken close to The Manor Studios, near Oxford, in 1995. Achieving the balance between the light on Paul's face and the dark outline of the ruins behind requires the supreme skill of a master black and white hand-printer. This silver gelatin photograph is made in the darkroom from Pennie Smith's original negative on 16 x 20 inch paper, and signed on the front under the image area by Pennie Smith. The image size is 11 x 16 inches approx. The price is shown for an unframed photograph - please ask if you require framing.
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Paul Weller photographed behind Manor Studios, Oxford in 1995 by Pennie Smith. This silver gelatin photograph is made in the darkroom from Pennie Smith's original negative on 16 x 20 inch paper, and signed on the front under the image area by Pennie Smith. The image size is 11 x 16 inches approx. The price is shown for an unframed photograph - please ask if you require framing.
