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Custom limited edition of 25, dye-sublimated on white coated aluminium, cut-out with subframe giving 3D effect. Can be made in a bespoke size up to 250cm / 98 inches long. The 3D cut-out can be displayed unframed or framed.
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Out of stockThe Stanley Road limited edition screen print 19 x 19 inch image size, edition of 250 Printed at Coriander Studios, 2002. A rare example signed by Peter Blake and Paul Weller. Framed and ready to hang. Framed dimensions 28 x 29 inches approx. In 2002, Peter Blake released this screen print in a limited edition of 250. Each print was signed by Peter Blake, and a small number were additionally signed by Paul Weller. The prints were made by Peter Blake’s screen-printer of choice, Brad Faine at Coriander Studios, one of the world’s leading specialist screen-printers. The image measures 19x19 inches, with individual spot varnishes applied to specific areas of the image. Signed by Paul Weller and Peter Blake and numbered in pencil below the image area, and supplied framed and ready to hang. Framed dimensions 28 x 29 inches approx.
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Limited edition of 75 + 7 artists proofs created from a traditional process in a mix of antique wood and movable type, each one individually numbered. Printed on Azure blue 270 gsm G.F Smith Colorplan paper. Paper size 40 x 64 cm / 15.75 x 25 inches. The price is shown for an unframed print. We can organise framing – please ask for a quote for framing and delivery based on your location. There are no delivery charges in the UK for an unframed print. Delivery charges apply outside the UK mainland.
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In Spines #7 Paul Weller, Keith Haynes recreates the spines of fifty five 12-inch singles and albums by The Jam, The Style Council and Paul Weller. This is not a photograph – it is a drawing that Keith makes from scratch, painstakingly recreating and combining each spine into the overall artwork. There are two versions of Spines #7 Paul Weller: a smaller version with a 50 x 50 cm image printed on 66 x 66 cm paper, which can be supplied framed or unframed. The second option is a larger 90 x 90 cm image size (with no white border around the image) which is mounted on dibond and supplied in a black tray frame, ready to hang.
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Olly Ball’s recollections of the session are fascinating: “We shot the cover of Our Favourite Shop on a Sunday afternoon in London in April or May 1985, at Bow Street Studios in Covent Garden. I was based there for ten years.” “I wasn’t a rock photographer as such. I mostly shot magazine editorial in those days. I was offered the job because Simon Halfon, the designer, had seen some photos I’d shot for the Observer Magazine Living Extra. These were pictures of rooms based on a TV programme; so we’d have Jewel In The Crown on the TV and all the props and food would be Indian. The other themes were Dallas, Arena and The Tube.” “Most of the stuff in the shop belonged to Paul and Mick, but the snooker cue and George Best coat hanger are mine. Fran Crawley was the stylist and she supplied the counter, book-rack etc. The set was built by my assistant, and great friend, Ross Kerridge with Peter Chatterton. Paul and Mick dressed most of the set, but we were all involved, and I shot it on a Mamiya RB6x7 on a 90mm lens.” “I’m happy to say it went straight to number 1 in the album charts, but it remains the only album cover I ever shot.”
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Peter Anderson's signed limited edition photographs are made by Peter in his own darkroom.
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Here's Paul Weller photographed by Peter Anderson in 1984 on the location of the Style Council's video for their fifth single, "My Ever Changing Moods." Peter Anderson's signed limited edition photographs are made by Peter in his own darkroom.
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Peter Anderson's signed limited edition photographs are made by Peter in his own darkroom.