Here’s where you will find work grouped by person who made the artwork rather than the suject of the photograph. Names are organised alphabetically by christian name, so Eric Meola appears under ‘E’ rather than ‘M.
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The Lightbox on show in the exhibition is 180 cm x 60 cm and is 40mm deep. It has an integral split batten system for hanging. The image covers the entire front of the box with no visible frame and the edges are black acrylic. It is illuminated by high power LEDs through a dimmable transformer which has a small integral fan inside for cooling (similar to a computer) and can be stored in a cupboard or on the floor below the Lightbox. The Lightbox itself produces virtually no heat whatsoever and can be operated 24/7/365 if required, uses very little power and has a life of many years. Prices are shown excluding VAT. This is added at checkout where applicable.
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Printed on metallic paper, mounted and presented in the exhibition in a box frame without glazing to maximise the impact of light falling on the metallic paper. Prices are shown excluding VAT. This is added at checkout where applicable.
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Printed on metallic paper, mounted on aluminium and presented in a box frame without glazing to maximise the impact of light falling on the metallic paper. Prices are shown excluding VAT. This is added at checkout where applicable.
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Lenticular (len-tik-ular): A lenticular print is made by placing an "interlaced" image, (digitally cut and reassembled in vertical strips), behind a sheet of plastic with a series of parallel lenses or lenticules embossed into one surface. When the lens is aligned with the image, the viewer sees only one frame at a time. As the viewing angle changes, each of the images are seen in the planned sequence, creating the illusion of movement, depth or animation. Gered explains: "I have always been intrigued by Lenticular printing and saw my first example in New Yorks Times Square in 1965 when I was touring with the Stones it was a saucy postcard of a women revealing her breast as you tilted the card and changed the viewing angle. The Stones went on to use the technique as the cover to their Satanic Majesties album and after that I didn't think much more of it." "Then a few years ago a terrific printer I worked with asked me if I realised that you could now make huge 6ft x 4ft Lenticular prints and I was hooked. They are terribly difficult to produce and take several days to design but the results are incredibly rewarding and it is always a thrill to see people moving from side to side enthralled by the effects the Lenticular Dance! I have produced a completely new lenticular edition for this exhibition based on a series of portraits of Jimi wearing a hat that I took during the second session in March 1967." This lenticular is made up of the three images shown alongside, with blue Jimi as the image view from head on. Prices are shown excluding VAT. This is added at checkout where applicable.
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Out of stock
- Ultra large format hardcover book, 96 pages, with introduction by Peter Webb.
- A worldwide limited edition of 500 numbered examples, each one signed by Peter Webb.
- When closed, the book measures 24 inches high by 18 inches wide (60x45cm). When the book is open, double page spreads measure 24 x 36 inches (60x90cm).
- Contains Peter Webb's entire surviving Sticky Fingers archive, believed lost for many years, now rediscovered and preserved for posterity.
- Approximately 100 photographs, with around two-thirds of content previously unpublished.
- Clean and elegant layouts allow us to show certain images across double page spreads, revealing incredible levels of detail.
- The book is housed in a beautiful custom slipcase which reproduces the book cover art.
- The front cover of the book and slipcase features one of Peter Webb's most famous images, Falling Stones. The back cover of the book and slipcase shows a previously unpublished colour photograph from the session.
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In Spines #1 Classics, Keith Haynes recreates the spines of thirty-six classic albums. This particular artwork includes records by The Beatles, The Who, Sex Pistols and Blondie, to name a few. The starting point is Keith’s own record collection, which he supplements with missing albums he needs for the piece. These 12-inch sleeves are the source materials. Keith then researches all the historic fonts and uses these to recreate the spines himself to build up the artwork. This is not a photograph – it is a drawing that Keith makes from scratch, painstakingly recreating and combining each spine into the overall artwork. There are two versions of Spines #1 Classics: a smaller version with a 50 x 50 cm image printed on 66 x 66 cm paper, which can be supplied framed or unframed. The second option is a larger 90 x 90 cm image size (with no white border around the image) which is mounted on dibond and supplied in a black tray frame, ready to hang.
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"David-san came to Japan with Iggy Pop to promote the latter's album The Idiot - that Bowie-san had produced. The photos were meant to have a punk feel. David-san had asked Yacco to get as many leather jackets as possible. The whole session was over an hour." After this photo session, Sukita selected about 20 photos to give to David, including the Heroes LP sleeve. When David contacted Sukita to say he wanted to use it, Sukita was delighted. Heroes went on to be voted Melody Maker magazines best cover image of the year. "I was very proud. I am still very fond of this photo." Masayoshi Sukita.
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Out of stockThis classic "Heroes" LP cover image limited edition is now sold out. The twelve frame contact sheet featuring this image is still available - for now...
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Out of stockMixed media piece cut from original vinyl and CDs featuring 25 Bond themes from Dr No to No Time to Die on silver leaf and presented in 90 x 90cm perspex box frame. Unique (as no two are exactly alike) edition of 10 (+2 APs), signed and numbered by Keith Haynes. Price includes perspex box frame (ready for hanging) but not delivery.
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Out of stockSpecifications
- 12 x 12 inch limited edition hardcover book, 156 pages.
- Approximately 150 photographs, many previously unpublished.
- A worldwide limited edition of 350 numbered copies, each one signed and numbered by Gered Mankowitz
- Supplied with limited edition 12 x 12 inch photograph signed and numbered by Gered Mankowitz
- Book and photograph have matched edition numbers.
- Book and photograph housed in black presentation box with inset image in lid.
- No extra delivery costs for shipping to a UK mainland address
- Shipping outside the UK: Europe £30 / USA £45 / Rest of World £60
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Out of stock
- SOLD OUT - BUT DELUXE VERSIONS STILL AVAILABLE
- Deluxe versions are at this link.
- If You Were There is a beautiful 180 page limited edition hardcover book, signed and numbered by Martyn Goddard. It comes in two versions, Regular and Deluxe.
- The book measures 12 inches high by 12 inches wide (30.5 x 30.5 cm).
- Regular versions are subject to a Dutch auction beginning at a price of £ 125, reducing by £5 each week until they are sold out. Full details about the Dutch auction can be found here.
- 188 photographs, with most content previously unpublished.
- Contains the very best of Martyn Goddard's Wham! and George Michael archives.
- Just 500 individually signed and numbered copies of this book are available worldwide.
- Numbers 201-500 are designated as Regular versions, and are signed and numbered copies without the additional prints or presentation box. If you would like to pre-order a Regular version, you are in the right place.
- Delivery costs: UK - included / Europe - £ 30 / US - £ 45 / Rest of World £ 60
- Import taxes (if applicable in your territory) are the buyer's responsibility.
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Archival limited edition photograph, authorised with embossed stamp on the front, official ink stamp with title and edition number on the reverse. Supplied with certificate issued by the Barry Feinstein archive. Various sizes available.
