Michael made the cover photographs on Oasis’ first three albums, Definitely Maybe, Morning Glory and Be Here Now, along with 11 of their early singles sleeves. He also worked with The Verve.
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Whether or not Keith Moon drove a Rolls-Royce, a Chrysler Wimbledon or indeed any other car into a swimming pool, and whether or not the pool had water in it at the time, does not really matter. It was a symbolic statement of rock’n’roll excess, and Bonehead was right - it was a great basis for an album cover. The original number plate on the Rolls Royce, MDH 119K was changed to SYO 724F. This was the number plate featured on the police van on the cover of Abbey Road; another nod to rock ‘n’ roll cultural history.
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One front cover print teamed up with a highly collectable edition of the iconic calendar image (used for the promotion of the original release). Just fifty pairs are available and only a few remain. The front cover image is a limited edition of 195 and the calendar image is a limited edition of 50 archival pigment prints. Each with image size 18 x 18 inches, on paper measuring 24 x 25 inches. Each signed and numbered by Michael Spencer Jones on the front under the image, front cover supplied with certificate. Unframed price.
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Limited edition of 195 archival pigment prints, image size 18 x 18 inches, paper size 24 x 25 inches. Signed and numbered by Michael Spencer Jones on the front under the image, supplied with certificate. Unframed price.
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Archival pigment print on 44 x 45 inch paper, edition of 10, signed and numbered on the front by Michael Spencer Jones. Unframed price.
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To celebrate the 25th anniversary of the release of Oasis' landmark debut album Definitely Maybe, Michael Spencer Jones is releasing a limited edition contact sheet featuring nine of his favourite images from his key 1994 session with Oasis. Each print is signed and numbered on the front in the border under the image area, and there is a choice of two size options.
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Limited edition of 195 archival pigment prints, image size 18 x 18 inches, paper size 24 x 25 inches. Signed and numbered by Michael Spencer Jones on the front under the image, supplied with certificate. Unframed price.
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One front and one back cover print sold as a pair for a special price - limited edition of 195 archival pigment prints, each with image size 18 x 18 inches, on paper measuring 24 x 25 inches. Signed and numbered by Michael Spencer Jones on the front under the image, supplied with certificate. Unframed price.
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Limited edition of 195 archival pigment prints, image size 18 x 18 inches, paper size 24 x 25 inches.Signed and numbered by Michael Spencer Jones on the front under the image, supplied with certificate. Unframed price.
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Archival pigment print on 44 x 45 inch paper, edition of 10, signed and numbered on the front by Michael Spencer Jones. Unframed price.
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A matched pair consisting of: The Don't Look Back in Anger front cover image, limited edition of 100 archival pigment prints, image size 18 x 18 inches, paper size 24 x 25 inches. Signed and numbered by Michael Spencer Jones on the front under the image. The Don't Look Back in Anger back cover image, limited edition of 25 archival pigment prints, image size 18 x 18 inches, paper size 24 x 25 inches. Signed and numbered by Michael Spencer Jones on the front under the image. Unframed price.
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Michael Spencer Jones has considerable expertise in applying colour to his original black and white photographs. You can see the results in this beautiful example.
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Archival pigment print on 24 x 25 inch paper, edition of 20, signed and numbered on the front by Michael Spencer Jones. Unframed price.
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The (What’s the Story) Morning Glory? front cover photograph by Michael Spencer Jones.
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Michael Spencer Jones has considerable expertise in applying colour to his original black and white photographs. You can see the results in this beautiful example.
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A matched pair consisting of: The Shaker Maker front cover image, limited edition of 100 archival pigment prints, image size 18 x 18 inches, paper size 24 x 25 inches. Signed and numbered by Michael Spencer Jones on the front under the image. The Shaker Maker back cover image, limited edition of 25 archival pigment prints, image size 18 x 18 inches, paper size 24 x 25 inches. Signed and numbered by Michael Spencer Jones on the front under the image. Unframed price.
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A matched pair consisting of: The Some Might Say front cover image, limited edition of 100 archival pigment prints, image size 18 x 18 inches, paper size 24 x 25 inches. Signed and numbered by Michael Spencer Jones on the front under the image. The Some Might Say back cover image, limited edition of 25 archival pigment prints, image size 18 x 18 inches, paper size 24 x 25 inches. Signed and numbered by Michael Spencer Jones on the front under the image. Unframed price.
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A matched pair consisting of: The Supersonic front cover image, limited edition of 100 archival pigment prints, image size 18 x 18 inches, paper size 24 x 25 inches. Signed and numbered by Michael Spencer Jones on the front under the image. The Supersonic back cover image, limited edition of 25 archival pigment prints, image size 18 x 18 inches, paper size 24 x 25 inches. Signed and numbered by Michael Spencer Jones on the front under the image. Unframed price.
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Michael Spencer Jones has considerable expertise in applying colour to his original black and white photographs. You can see the results in this beautiful example, where he has colourised the frame and contents.
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Limited edition of 75 archival pigment prints, image size 18 x 18 inches, printed with black background, signed and numbered by Michael Spencer Jones with white chinagraph pencil on the front under the image. Unframed price.
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Limited edition of 195 archival pigment prints, image size 18 x 18 inches, paper size 24 x 25 inches. Signed and numbered by Michael Spencer Jones on the front under the image, supplied with certificate. Unframed price
