• What a treat to be able to offer Pennie Smith's photographs to our clients. I love this 1980 photograph of Paul Weller taken at The Town House studios, during the recording of my favourite Jam album, Sounds Affects. It plays a nice visual trick on the viewer. If you start at the top you would be forgiven for thinking that the moon is shining down on an outdoor scene—and the corrugated sheets in the background seem to confirm that thought. Then, once you see the floorboards and microphones you realise your first impressions were wrong. This silver gelatin photograph is made in the darkroom from Pennie Smith's original negative on 16 x 20 inch paper, and signed on the front under the image area by Pennie Smith. The image size is 11 x 16 inches approx. The price is shown for an unframed photograph - please ask if you require framing.
  • I read somewhere that this is Paul Weller’s favourite photograph of The Jam. Maybe that’s because it is just him and Bruce — or maybe it is because it is a truly great image. We call it “tripod” because Bruce and Paul seem to have fused into a rock-solid three-legged entity. One thing you may not notice at first - see how the shadows form edgy geometric shapes on the floor. Taken in 1978, this photograph appeared on the front cover of NME on 4 November of that year, under the headline “Jam today”.  This silver gelatin photograph is made in the darkroom from Pennie Smith's original negative on 16 x 20 inch paper, and signed on the front under the image area by Pennie Smith. The image size is 11 x 16 inches approx. The price is shown for an unframed photograph - please ask if you require framing.
  • Select options This product has multiple variants. The options may be chosen on the product page / Details
    Peter Anderson's signed limited edition photographs are made by Peter in his own darkroom.
  • Select options This product has multiple variants. The options may be chosen on the product page / Details
    Peter Anderson's signed limited edition photographs are made by Peter in his own darkroom.
  • Select options This product has multiple variants. The options may be chosen on the product page / Details
    Peter Anderson's signed limited edition photographs are made by Peter in his own darkroom.
  • Select options This product has multiple variants. The options may be chosen on the product page / Details
    Peter Anderson's signed limited edition photographs are made by Peter in his own darkroom.
  • Select options This product has multiple variants. The options may be chosen on the product page / Details
    Here's Paul Weller photographed by Peter Anderson in 1984 on the location of the Style Council's video for their fifth single, "My Ever Changing Moods." Peter Anderson's signed limited edition photographs are made by Peter in his own darkroom.
  • Select options This product has multiple variants. The options may be chosen on the product page / Details
    Peter Anderson's signed limited edition photographs are made by Peter in his own darkroom.
  • Select options This product has multiple variants. The options may be chosen on the product page / Details
    Peter Anderson's signed limited edition photographs are made by Peter in his own darkroom.
  • Select options This product has multiple variants. The options may be chosen on the product page / Details
    Peter Anderson's signed limited edition photographs are made by Peter in his own darkroom.
  • Out of stock
    The Stanley Road limited edition screen print 19 x 19 inch image size, edition of 250 Printed at Coriander Studios, 2002. A rare example signed by Peter Blake and Paul Weller. Framed and ready to hang. Framed dimensions 28 x 29 inches approx. In 2002, Peter Blake released this screen print in a limited edition of 250. Each print was signed by Peter Blake, and a small number were additionally signed by Paul Weller. The prints were made by Peter Blake’s screen-printer of choice, Brad Faine at Coriander Studios, one of the world’s leading specialist screen-printers.  The image measures 19x19 inches, with individual spot varnishes applied to specific areas of the image. Signed by Paul Weller and Peter Blake and numbered in pencil below the image area, and supplied framed and ready to hang. Framed dimensions 28 x 29 inches approx.  
  • Out of stock
    Unique original vintage contact sheet on 8 x 10 inch paper from Peter Webb’s historic Sticky Fingers LP (1971) sleeve session with the Rolling Stones. Shows some signs of usage, as would be expected from a working contact sheet of this vintage. Features Peter Webb’s original notations. Sheet size 8 x 10 inches (20 x 25.5 cm)  Each image measures 4 x 5 inches (approx 10 x 12.5 cm). Supplied framed and ready to hang, with certificate of authenticity signed by Peter Webb on reverse of frame.  Black wood frame, low glare u/v filtered art glass, window mounted with mount cut to show entire contact sheet. Contact sheets are currently unframed - please allow approx three weeks for framing and delivery. Prices include framing and delivery. 
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