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Archivally processed Lambda photograph on 8 x 10 inch paper, a limited edition of 100, signed and numbered by Masayoshi Sukita. Unframed price excluding VAT.
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Keith Haynes’s Abbey Road tribute comes in a choice of two physical size options. Both are supplied in white box frames. The overall framed size for the smaller variant is 52 x 52 cm (20.5 x 20.5 inches approx.) while the larger version is 70 x 70 cm ( 27.5 x 27.5 inches approx.) Each one is different, as individual records cut to form the artwork will vary from piece to piece. There are photographs of each shown alongside. The larger version has more black cross road pieces, and more visible record labels. Prices shown include frame but not delivery. Please ask for a quote for delivery based on your location.
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- A beautiful 96 page hardcover book in protective slipcase.
- Just 500 individually numbered copies of this book available worldwide.
- This is an ultra large format volume. When closed, the book measures 24 inches high by 18 inches wide(60x45cm). When the book is open, double page spreads measure 24 x 36 inches (60x90cm).
- Contains the very best of Donald Silverstein's surviving Jimi Hendrix archive.
- Approximately 100 photographs, with around 95% of content previously unpublished.
- Clean and elegant layouts allow us to show images in large formats revealing incredible levels of detail.
- The book is housed in a beautiful custom slipcase.
- Shipping - UK no charge / Europe £50 / USA £75 / Rest of World £95
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This is a very special large format piece, and comes in a choice of two very large sizes — to better appreciate the individual frames. The image chosen for the front cover of the "Heroes" album is top right, and the contact sheet shows the build-up to that key photograph.
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In Spines #3 Stones, Keith Haynes recreates the spines of fifty-one Rolling Stones albums. The starting point is Keith’s own record collection, which he supplements with missing albums he needs for the piece. These 12-inch sleeves are the source materials. Keith then researches all the historic fonts and uses these to recreate the spines himself to build up the artwork. This is not a photograph – it is a drawing that Keith makes from scratch, painstakingly recreating and combining each spine into the overall artwork. There are two versions of Spines #3 Stones: a smaller version with a 50 x 50 cm image printed on 66 x 66 cm paper, which can be supplied framed or unframed. The second option is a larger 90 x 90 cm image size (with no white border around the image) which is mounted on dibond and supplied in a black tray frame, ready to hang. .
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Limited edition silver gelatin photograph in a choice of physical sizes, signed and numbered on the front under the image area by Astrid Kirchherr.
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Prices are shown excluding VAT. This is added at checkout where applicable.
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Archival silver gelatin photograph made by hand in the darkroom from the original negative on 16 x 20 inch (40x50cm) paper, signed by Pennie Smith on the front under the image. Price is shown for an unframed photograph excluding VAT. The classic London Calling album cover photograph. It is one of the most famous photographs in the history of rock ‘n’ roll. It is not cheap, but sometimes the good stuff has to hurt a little. The photograph shows Paul Simonon about to smash up his bass during a show at The Palladium, New York City on 21 September 1979. It is an acclaimed shot, receiving the ultimate accolade from Q Magazine by being voted the best rock and roll photograph of all time. Pennie had accompanied The Clash throughout their 1979 US tour, and very nearly didn’t attend this particular concert. In the end she chose to turn down the offer to go out with friends and ended up stage right at The Palladium. The band were used to getting a big response from their US audiences, but not on this night – The Palladium had fixed seating. Paul’s frustration turned to anger, and then he lost it completely. His watch stopped at 9.50pm.
