-
Debbie Harry photographed in 1988 by Brian Aris in her New York apartment.
-
Window mounted and ready to frame, these open edition prints have an overall mounted size of approx 20x20 inches (50x50cm) and an image size of approximately 10x10 inches ( 27x27cm) for a square image. Prints are embossed with the Duffy archive stamp, and ink stamped on the reverse with a replica of Duffy's original studio logo, and sealed in a clear cellophane wrapper. If you would like to order a print, simply make your purchase and notify us of your chosen image. Shipping charges apply where we ship outside the UK. Europe – GBP 40 ; USA – GBP 50; Rest of World – GBP 65.
-
In Spines #6 Springsteen, Keith Haynes recreates the spines of Bruce Springsteen albums to form this beautiful new limited edition print. The starting point is Keith’s own record collection, which he supplements with missing albums he needs for the piece. These sleeves are used as research materials. The painstaking process then begins as Keith tracks down all the historic fonts and uses these to recreate the spines himself, building up the artwork spine by spine. So this is not a photograph, and neither is it assembled from actual sleeves cut up in some way – it is a completely new artwork designed and created by Keith. Limited edition of 40 archival pigment prints with silkscreen varnish, image size 44x100 cm / 17x39 inches, paper size 64 x 120cm / 25 x 47 inches. Signed and numbered by Keith Haynes in the border under the image area. Price is shown for an unframed print. If you would like us to organise framing, just let us know and we will give you a quote for frame/delivery.
-
Important technical note The 665 Polaroid negative from which the photograph is made has some small inherent imperfections around the border areas and on parts of the image, and we wanted to give purchasers some information on this. Colin explains: “If you look at the thigh you'll see a light water stain which is on the negative permanently. This was shot on 665 Polaroid which was a B&W polaroid that yielded a positive and a negative when peeled. Back then I was “Mr. 665”. You would have to peel the excess paper from the negative and then put it in a tupperware filled with water to soak. The water would turn black as the coating on the neg dissolved, and then you would need to rinse it and hang it to dry. I would have 10-20 negs in the tupperware on top of each other, and the fragile nature of the film would almost guarantee some marks. I'm lucky there's not a big scratch on it! These inherent markings always occur with 665 polaroid negs. It's from the peeling process. I love imperfections and I understand some people might not like that but I think others won't mind. For me the imperfections just add to the street cred of the image.”
-
In Spines #4 The Beatles, Keith Haynes recreates the spines of thirty-four 12-inch singles and albums by The Beatles. This is not a photograph – it is a drawing which Keith makes from scratch, painstakingly recreating and combining each spine into the overall artwork. There are two versions of Spines #4 The Beatles: a smaller version with a 50 x 50 cm image printed on 66 x 66 cm paper, which can be supplied framed or unframed. The second option is a larger 90 x 90 cm image size (with no white border around the image) which is mounted on dibond and supplied in a black tray frame, ready to hang.
-
"David-san came to Japan with Iggy Pop to promote the latter's album The Idiot - that Bowie-san had produced. The photos were meant to have a punk feel. David-san had asked Yacco to get as many leather jackets as possible. The whole session was over an hour." After this photo session, Sukita selected about 20 photos to give to David, including the Heroes LP sleeve. When David contacted Sukita to say he wanted to use it, Sukita was delighted. Heroes went on to be voted Melody Maker magazines best cover image of the year. "I was very proud. I am still very fond of this photo." Masayoshi Sukita.
-
"A few days before the show at Radio City Music Hall, Bowie did a photo session, a rehearsal and an interview at RCA Studio. He went on to do another rehearsal at Radio City Music Hall. Yacco-San was working as the stylist, running here and there with costumes by Kansai Yamamoto that shed brought over from Japan. They looked marvellous." Masayoshi Sukita
-
This photograph appeared inside the gatefold sleeve of The Queen is Dead album, this has become an iconic shot of the band. The impact on the Lads club has been well documented – For years fans have gone back to the Salford Lads Club and it has become a shrine to the Smiths fans who pose for their own version of the photo. All a bit like Beatles fans posing on the Abbey road zebra crossing. The Queen is Dead shoot itself was in December in Salford on a damp dark day. Stephen Wright recalls: ‘It should have been cancelled really as it was so poor for photography. We spent a bit of time at a couple of locations but the Salford Lads club was the key one. You can even see Johnny shivering in some of the images. Somehow the casual poses and the grim weather give the photos certain natural and gritty character and I love the way Morrissey stands there – arms folded and smirking slightly like the Mona Lisa. These days that image has been accepted as part of the collections of the National Portrait Gallery, the Manchester Art Gallery and the Salford Art Gallery. All rather funny when the original film was processed in a bedroom / darkroom, with the chemicals kept in old drinks bottles."
-
Prices are shown excluding VAT. This is added at checkout where applicable.
-
Last few available - act soon to avoid disappointment Mixed media piece cut from original 7" inch vinyl Clash single and presented in 25 x 25cm black box frame. Unique edition of 50, signed and numbered by Keith Haynes. Price includes black box frame (ready for hanging) but not delivery.
-
Last few available - act soon to avoid disappointment Mixed media piece cut from original 7" inch vinyl Clash single and presented in 25 x 25cm black box frame. Unique edition of 50, signed and numbered by Keith Haynes. Price includes black box frame (ready for hanging) but not delivery.
-
In Spines #1 Classics, Keith Haynes recreates the spines of thirty-six classic albums. This particular artwork includes records by The Beatles, The Who, Sex Pistols and Blondie, to name a few. The starting point is Keith’s own record collection, which he supplements with missing albums he needs for the piece. These 12-inch sleeves are the source materials. Keith then researches all the historic fonts and uses these to recreate the spines himself to build up the artwork. This is not a photograph – it is a drawing that Keith makes from scratch, painstakingly recreating and combining each spine into the overall artwork. There are two versions of Spines #1 Classics: a smaller version with a 50 x 50 cm image printed on 66 x 66 cm paper, which can be supplied framed or unframed. The second option is a larger 90 x 90 cm image size (with no white border around the image) which is mounted on dibond and supplied in a black tray frame, ready to hang.
