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  • 8 x 12 inch image size. Archival pigment print on acid free 285gsm gloss finish smooth fibre based paper, edition of 50, signed and numbered on the front by Andy Earl.
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    "By the time I took this picture (for  This Year's Model, Elvis Costello's second album, released in 1978) I had already photographed Elvis a dozen or more times. As his career took off I watched his confidence in front of the camera grow. In those days every single had a picture sleeve, so by the time this album came, we had done several sleeves together and Elvis was relaxed when working with me. Apart from my assistant, there were just the two of us. The concept of him behind a camera for the sleeve of This Year's Model had already been chosen, so I decided to equip Elvis with exactly the same tripod and camera as I was using to create a 'mirror' for him. Alongside a powerful stereo I kept a large record collection at my Camden Studio, and artists would choose music they enjoyed or were interested in for their sessions. Just as we were about to start shooting, Elvis asked me if I had Hotel California by The Eagles, and could I play it? I was puzzled by his choice - until he told me that he loathed the record, but wanted to look really pissed off and angry in the shots! We played the record several times during the session and whilst I directed him, I was also aware of his copying some of my own actions as I took the photographs. This picture was only recently discovered, and is the next frame to one used for the album sleeve. It has never been published before." Chris Gabrin
  • In Spines #8 Brit Pop, Keith Haynes recreates the spines of fifty two CDs by some of your favourite Brit Pop artists, including Oasis, The Verve, Blur, Pulp and Cast, to name a few. This is not a photograph – it is a drawing that Keith makes from scratch, painstakingly recreating and combining each spine into the overall artwork. Spines #8 Brit Pop is an archival print on Somerset paper measuring 66 x 66 cm with an image size of 50 x 42 cm and an edition size of 50 (+10 APs). It is supplied unframed, signed and numbered on the front by Keith Haynes. The numbered example here is shown for illustration - actual numbers will vary. Free UK delivery.    
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    Kevin Davies: David Bowie 6-01

    £ 400£ 2,500
    Kevin Davies's signed limited edition David Bowie photographs are available in a choice of physical size options. Click on the size options below to see available sizes and prices. Please allow 2-3 weeks between order and delivery for an unframed photograph. If you are in the UK and would like a quote for framing please just ask. Framing adds 2-3 weeks. Prices are shown for unframed items, excluding VAT.  VAT is added at checkout for UK deliveries.  
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    Michael Putland: Stevie Wonder

    £ 595£ 3,500
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    1994 - Sound City, Van Nuys, California. Robert Sebree explains: “ Everyone immediately realized that Wildflowers had a special energy. It was powerful and palpable. The major changes Tom was going through, both personally and professionally, precipitated a prolific time for him.  In this photograph Tom is tracking “It’s Good To Be King. Wildflowers was his first solo album since Full Moon Fever, his first collaboration with producer Rick Rubin and his first album for his new label, Warner Brothers. Even though it was a solo album Tom leaned heavily on the musicianship of the Heartbreakers and this marked the introduction of drummer Steve Ferrone to the band. The chemistry was so good it bordered on alchemy.” Prices are shown for unframed items, excluding VAT. VAT is added at checkout where applicable. Signed limited edition photographs are available in a choice of physical size options. Click on the size options below to see available sizes and prices. Please allow 2-3 weeks between order and delivery for an unframed photograph. If you would like a quote for framing please just ask. Framing adds 2-3 weeks.
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    July 1993 - Woodland Hills, California Robert Sebree explains: “This is my homage to Richard Avedon’s portrait of the Chicago Seven. I chose to play with the form and use the broken format to introduce each band member twice creating a line-up that could not exist in a single frame. The pre-Photoshop era demanded solutions to be a bit less obvious. Of the countless ways that digital has impacted photography I believe this, the way we conceive of images, may be the most significant.  After a few long days in Mike Campbell’s home recording studio with all of the Heartbreakers Tom suggested a band photo. The next day I arrived early and set-up a small seamless and a few lights in one bay of Mike’s garage. That night as the band members were headed to their cars I opened the door and flipped on the lights.  It was a calculated risk springing a shot that was difficult to explain on exhausted band members after a long day. The set was only wide enough to shoot three band members at a time and I was standing outside in the dark shooting through the garage door with an old view camera. The confusion was compounded by the fact that I repositioned them after each sheet I exposed. Fortunately, Tom was intrigued by whatever I was trying to do so with his encouragement we knocked it out in just a few minutes.  The images on the periphery of each frame are my favorite moments as they were unposed. Tom appreciated that this image gives a real sense of the personalities that made up the band. The tension developing between Tom and Stan is on full display here. It’s no wonder considering Stan’s stance in the far right frame and tangling with Tom in Benmont’s frame (far left) that just two weeks later at the Viper Room I would make my last images of Stan before he left the Heartbreakers.  Tom chose this image for a benefit auction at the New York launch of Tom Petty And The Heartbreakers Runnin' Down A Dream on November 14, 2007." Prices are shown for unframed items, excluding VAT. VAT is added at checkout where applicable. Signed limited edition photographs are available in a choice of physical size options. Click on the size options below to see available sizes and prices. Please allow 2-3 weeks between order and delivery for an unframed photograph. If you would like a quote for framing please just ask. Framing adds 2-3 weeks.
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    Harry Borden: Baroness Thatcher

    £ 625£ 5,800
    Baroness Thatcher photographed at The Lemonade Factory studios, Battersea, London,  9 October 2006 Harry recalls the shoot: " Like her or loathe her, Margaret Thatcher was a major figure in British life in the 1980s. She changed the country’s cultural and political landscape. My career as a photographer didn’t really take off until the early 1990s, by which time her political career was over. I never got the opportunity to photograph her in her pomp and glory, and thought I had missed my chance. Then in October 2006, I got a call from Time magazine. The editor was planning a special edition – 60 Years of Heroes – and my commission was to photograph Baroness Thatcher. Although by then I had photographed many famous people, getting this job was a brilliant moment in my career. During our meeting she held my hand and asked me several times, "When are the other people arriving?" She clearly thought I was shooting all the 'Heroes' at the same time, as if Mikhail Gorbachev, Nelson Mandela and her would be rubbing shoulders in this shabby studio in Battersea (picked because of it's proximity to her home). At the end she looked puzzled and said to me, “The others never came...” She was no longer 'The Iron Lady'. Just a once-formidable person succumbing to human frailty as we all eventually do. The ‘eyes-closed’ portrait was one of the last frames in the shoot and was taken using natural daylight. I hadn’t planned it. She just blinked and the idea for the picture came into my head. I asked her just to close her eyes. Even when I was taking the shot, I knew it was going to be an iconic picture. I used my Canon EOS-1Ds Mark II with a 50mm lens, with the camera on a tripod. The shoot lasted about 12 minutes. What makes this portrait special? I think when you get someone to close their eyes, they’re in a position where you can observe them. They seem vulnerable. Margaret Thatcher had so much dynamism and power, so when you see a photo of her in old age, and with her eyes closed, there’s something absorbing about looking at her and reflecting on how she affected our lives." Available in a choice of physical size options. Please ask for framing options. Please allow 2-3 weeks between order and delivery for an unframed photograph.  Framing adds 2-3 weeks.
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    The Spice Girls, Bangkok 1996. L to R: Geri Halliwell, Melanie Chisholm, Emma Bunton, Melanie Brown, and Victoria Adams (later Victoria Beckham) Harry Borden photographed the Spice girls on four occasions and this is his favourite Spice Girls image. Harry explains: "The location for the shoot was a half-built tower block in the centre of Bangkok, chosen because their record company’s offices were on a lower floor of the building. After shooting a number of pictures on the roof, we came down to the office and they sat down, exhausted by the heat. I immediately saw that this scene would make a much better picture than the others I’d taken. So I quickly asked them to hold their positions and shot a few frames, using my Fujifilm 6x7 rangefinder, with Kodak Tri-X film." "There’s a wonderful line going through it, partly because of the way they are touching or linking arms, and the interplay between the two pairs of girls looks very natural. I also like the variation in light; Geri, on the left, is lit like a figure from a Renaissance painting, while Victoria on the other side of the frame is backlit. The fact that Geri is looking slightly distant is also appropriate; she was older and more worldly than the others and went on to leave the group in 1998. The picture only came about because I was alive to the situation and didn’t switch off - and shows that sometimes magic happens when you’re not trying too hard. A print is now in the permanent collection of The National Portrait Gallery." Available in a choice of physical size options. Please ask for framing options.  Please allow 2-3 weeks between order and delivery for an unframed photograph.  Framing adds 2-3 weeks.
  • In Spines #8 Brit Pop, Keith Haynes recreates the spines of fifty two CDs by some of your favourite Brit Pop artists, including Oasis, The Verve, Blur, Pulp and Cast, to name a few. This is the first time that Keith has made a spines piece that features CDs not vinyl records. This is not a photograph – it is a drawing that Keith makes from scratch, painstakingly recreating and combining each spine into the overall artwork. Spines #8 Brit Pop is an aluminium dibond print under high-gloss Perspex measuring 20 x 90 cm with an edition size of 20 (+2 APs). It is supplied with a subframe on the reverse ready to hang. It is signed and numbered on the back by Keith Haynes. Numbered example is shown for illustration - actual numbers will vary.  
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    To celebrate the 25th anniversary of the release of Oasis' landmark debut album Definitely Maybe, Michael Spencer Jones is releasing a limited edition contact sheet featuring nine of his favourite images from his key 1994 session with Oasis. Each print is signed and numbered on the front in the border under the image area, and there is a choice of two size options.  
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    Limited edition print by Alex Borg inspired by Bobbie Gentry's Ode to Billie Joe. Edition of 20 on 29.5 x 42 cm (11.7 x 16.5 inches) paper, each one individually hand-numbered and signed by Alex Borg. Can be supplied unframed or framed - select below.
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  • Archival pigment print with 50 x 50 cm image size and 5cm white borders on matt textured 310 gsm Hahnemuhle fine art paper. Limited edition of 20, signed and numbered on the front under the image area by Louis Sidoli. Unframed price. Free UK delivery.
  • Archival pigment print with 50 x 50 cm image size and 5cm white borders on matt textured 310 gsm Hahnemuhle fine art paper. Limited edition of 20, signed and numbered on the front under the image area by Louis Sidoli. Unframed price. Free UK delivery.
  • Archival pigment print with 50 x 50 cm image size and 5cm white borders on matt textured 310 gsm Hahnemuhle fine art paper. Limited edition of 20, signed and numbered on the front under the image area by Louis Sidoli. Unframed price. Free UK delivery.
  • Archival pigment print with 50 x 50 cm image size and 5cm white borders on matt textured 310 gsm Hahnemuhle fine art paper. Limited edition of 20, signed and numbered on the front under the image area by Louis Sidoli. Unframed price. Free UK delivery.
  • Archival pigment print with 50 x 50 cm image size and 5cm white borders on matt textured 310 gsm Hahnemuhle fine art paper. Limited edition of 20, signed and numbered on the front under the image area by Louis Sidoli. Unframed price. Free UK delivery.
  • Archival pigment print with 50 x 50 cm image size and 5cm white borders on matt textured 310 gsm Hahnemuhle fine art paper. Limited edition of 20, signed and numbered on the front under the image area by Louis Sidoli. Unframed price. Free UK delivery.
  • This is the first of Jamie Byrne's incredible graphic novel album commissions, in which he takes a favourite LP and represents each of the tracks in graphic novel style. Jamie will create a bespoke original commission for you, focusing on your album of choice, made with a 100 x 100 cm image size (or a smaller size of your choice to suit your space). Each original commission is made on high-gloss coated aluminium, framed in a tray frame without glazing, and signed and numbered 1/1 by Jamie on the reverse. Once an original is created, Jamie makes limited editions of 10 with a 50 x 50 cm / 20 x 20 inch (approx) image and 10 with a 75 x 75 cm / 30 x 30 inch (approx) image. The limited editions are archival pigment prints on paper, and can be supplied unframed or framed. Prices for the limited editions are shown without frames.
  • Limited edition silver gelatin photograph in a choice of physical sizes, signed and numbered on the front under the image area by Astrid Kirchherr. 
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    Keith Richards and Ronnie Wood photographed in Paris by Brian Aris.

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    Brian Aris: Debbie Harry

    £ 550£ 1,500
    Debbie Harry wearing an Andy Warhol designed "Bad" tee shirt. Photographed in London by Brian Aris.
  • Mixed media cut from original 12" vinyl and postage stamps. Presented in 52 x 52 cm black box frame.
    all unique - no two designs are the same
    Unique edition of 50 + 10 AP. Price includes box frame (ready to hang) but not delivery.
  • Last few available - act soon to avoid disappointment Mixed media cut from twelve inch Sex Pistols God Save The Queen vinyl record. Presented in 52 x 52 cm black box frame against a red background with circular window mount. Unique edition of 50 + 10 AP. Price includes box frame (ready to hang) but not delivery.
  • Mixed media cut from original 7" vinyl (various colours—please check for availability of specific colours if you have a preference) on white diamond dust with circular mount. Presented in 25 x 25cm white box frame. Unique edition of 100 + 10 AP. Price includes box frame (ready to hang) but not delivery.
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    Denis O’Regan: David Bowie 1983

    £ 2,000£ 4,000
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    Photo by Duffy © Duffy Archive & The David Bowie Archive™
    This nine frame contact sheet was put together by Chris Duffy and combines the 'eyes open' colour image with eight black and white images from the session.
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