- 12 x 12 inch limited edition hardcover book, 166 pages.
- More than 150 photographs, many previously unpublished.
- A worldwide limited edition of 350 numbered copies, each one signed and numbered by Brian Aris
- A small quantity of the signed limited edition book (from the edition of 350) are now available to purchase for a limited time at a price of £125 without the print and presentation box.
- A Deluxe set including the signed limited edition book with a signed limited edition photograph, in a presentation box, is also available, and can be purchased here.
- No extra delivery costs for shipping to a UK mainland address
- Shipping outside the UK: Europe £30 / USA £45 / Rest of World £60
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Limited edition ChromaLuxe print of Ray Lowry's original concept sketch for the cover of London Calling by The Clash. The edition consists of 20 ChromaLuxe prints, each one supplied with a numbered certificate of authenticity signed by Samuel Lowry - Ray Lowry's son and custodian of the estate of Ray Lowry. Each print has an image size measuring 19 x 19 inches. There is a white border measuring 2.5 inches around all sides of the image, and the overall dimensions are 24 x 24 inches. If you haven’t seen a ChromaLuxe print before, you are in for a treat. They have an ultra-high-gloss finish, with richly saturated colours and a jewel-like appearance. The technique uses a process called dye-sublimation to fuse the image directly on to a 1.25 mm thick panel of white-coated aluminium—which gives them in-built structural rigidity. They hang straight on the wall without additional framing because there is a special subframe on the reverse—this allows the artwork to hang on the wall while appearing to float. Additional framing/glazing is not required (as ChromaLuxe has a scratchproof surface) but can be arranged as an option. ChromaLuxe prints are very light and are easy to ship. If additional framing is preferred we recommend a black or white tray frame without glazing. Please ask for a quote for this. Please allow up to 3 weeks between order and dispatch. Price includes delivery.
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"A few days before the show at Radio City Music Hall, Bowie did a photo session, a rehearsal and an interview at RCA Studio. He went on to do another rehearsal at Radio City Music Hall. Yacco-San was working as the stylist, running here and there with costumes by Kansai Yamamoto that shed brought over from Japan. They looked marvellous." Masayoshi Sukita
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Limited edition framed vinyl artwork signed and numbered by Keith Haynes. Mixed media: cut from original 7” Stones’ red vinyl, unique (because no two records are the same) edition of 50 + 10 artists proofs. Supplied in 25cm x 25cm white box frame. Price includes frame.
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In Spines #5 Punk and New Wave, Keith Haynes recreates the spines of thirty-six Punk and New Wave records, including albums by Ramones, Blondie, Sex Pistols and The Clash, to name a few. The starting point is Keith’s own record collection, which he supplements with missing albums he needs for the piece. These 12-inch sleeves are the source materials. Keith then researches all the historic fonts and uses these to recreate the spines himself to build up the artwork. This is not a photograph – it is a drawing that Keith makes from scratch, painstakingly recreating and combining each spine into the overall artwork. There are two versions of Spines #5 Punk and New Wave: a smaller version with a 50 x 50 cm image printed on 66 x 66 cm paper, which can be supplied framed or unframed. The second option is a larger 90 x 90 cm image size (with no white border around the image) which is mounted on dibond and supplied in a black tray frame, ready to hang.
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In Spines #2 Bowie, Keith Haynes recreates the spines of forty-four David Bowie albums. The colours really pop. This is not a photograph – it is a drawing that Keith makes from scratch, painstakingly recreating and combining each spine into the overall artwork. Spines #2 David Bowie has a 90 x 90 cm image size (with no white border around the image) mounted on dibond and supplied in a black tray frame, ready to hang. Delivery costs apply for customers outside the UK. Please ask for a quote based on your location.
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Prices are shown excluding VAT. This is added at checkout where applicable.
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Art Kane was a huge Bob Dylan fan, and literally stalked a very un-cooperative Dylan around an L.A. rooftop to get the shot. Dylan didn't like being told what to do, and Kane didn't shoot reportage style. Dylan, literally cornered, submitted to the direction and gave up the shot with a smouldering look that says, alright, you win. As Kane later recalled " I told him, "I'm going to stay until I get what I want." I finally manoeuvred him into a corner, he slid down and looked up. I had my shot."
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In Spines #7 Paul Weller, Keith Haynes recreates the spines of fifty five 12-inch singles and albums by The Jam, The Style Council and Paul Weller. This is not a photograph – it is a drawing that Keith makes from scratch, painstakingly recreating and combining each spine into the overall artwork. There are two versions of Spines #7 Paul Weller: a smaller version with a 50 x 50 cm image printed on 66 x 66 cm paper, which can be supplied framed or unframed. The second option is a larger 90 x 90 cm image size (with no white border around the image) which is mounted on dibond and supplied in a black tray frame, ready to hang.
