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Zappa has always been one of my heroes and in 1982 I set out to put him on the cover of the prestigious Uomo Vogue magazine. No mean feat as 1982 was the year that Armani and Italian fashion exploded worldwide and FZ was not exactly what youd expect on Vogue. He lay down on dozens of music parts for orchestra that he was very proud of (at the time no orchestra had ever played any of his music, with the exception maybe of Pierre Boulez). The title of the one hes holding says it all: Zappa The Perfect Stranger.
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I knew David very well, but I had never had a real opportunity to shoot Fripp. This was in a hotel room in Milano in between press interviews. Fripp surprised everybody in the room, including David, when he started recollecting the quite infamous anecdote about Agnetha of ABBA. Yes, the one you hear in the movie Priscilla. I'll say no more.
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Guido Harari shares the background to this beautiful photograph: "In 1989, Crosby was clean and on the go with his second solo album, Oh Yes I Can. I always had been attracted by his face and this was my chance in a lifetime to capture his newfound serenity. He and Graham Nash, a true expert in photography, fell in love with this image and a few years later it appeared on Crosby's Thousand Roads album cover. Twenty-five years later Crosby agreed to co-sign a very limited edition of 15 fine art prints, which makes this image even more special to me." Note that a regular version is available, signed by Guido Harari alone, in a range of sizes, here. Archival limited edition pigment print on 16 x 23 inch paper, signed and numbered on the front by Guido Harari and David Crosby. Image size 11 x 21 inches approximately. Edition of 15.
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This is the morning after a wild gig at Hammersmith Odeon on the Rastaman Vibration tour. Besides taking pictures, I did interview Marley for the Italian press and had a really hard time getting through his thick Jamaican patois. However I was mesmerized by the man and his traveling family, as well as the heavy smell of Jamaican cuisine and ganja.
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This is Marley when his Uprising tour hit Italy and he played to a record-breaking 100,000 people in Milano's Stadio Meazza. He was as sweet and quiet as ever, followed everywhere by his colorful tribe of friends, musicians, wife and kids. I never realized until recently that his famous dreadlocks do not show in this photo, making it even more intimate.
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From the mid-Seventies, until he died, Ive often done tour photography in Europe for Bill Graham, the legendary rock entrepreneur, particularly for Santana. We were both Dylanites and when he launched a European tour of Dylan with Carlos Santana in 1984, he called me again. This portrait was taken in Sirmione, near Verona, in Italy on the eve of the first date of the tour. The nice thing was that lots of my photos ended up on the official tour program and on Dylans Real Live album cover.
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Prices are shown for unframed prints in 25 x 25 cm and 50 x 50cm image sizes. Please allow 10 days between order / shipping date. Larger bespoke sizes (up to 150 x 150 cm / 59 x 59 inches approx) can be made to order - if you would like something bespoke please ask for a quote based on your desired size / location.
