-
"We didn't get a lot of chances to shoot him, because of the lack of time and the problem of distance. Then we came up with an idea to create a mannequin so that we could shoot his portraits anytime we wanted. He was so co-operative in its production. The idea of the doll is that the old skin is flaking off and a new self is re-born. Each portrait I have made this way over 30 years is always a new and unique, timeless piece of work that I cherish." Masayoshi Sukita
-
"Bowie had come to Japan to film a commercial for a drink called Crystal Jun Rock Sunita received a call from Kyoto, where Bowie was staying for 10 days, and off he went with Yacco to make a one-day documentary of Bowie. Bowie had already made himself a local and drove them everywhere himself. We went to a local shopping area, rode the local trains and went out to a disco night. Most of the people around him were unaware of who he was, which perhaps gave him more freedom than usual." Masayoshi Sukita
-
For this shoot, Sukita rented the studio from a Japanese photographer called Hiroshi Yoda and they did the session a week before Davids show at The Rainbow Theatre. Immediately beforehand, Bowie had been at a shoot with David Bailey. The whole session lasted just two hours. Some photographs from the shoot were featured in a popular Japanese fashion magazine, an-an, receiving a great deal of response from the readers.
-
For this shoot, Sukita rented the studio from a Japanese photographer called Hiroshi Yoda and they did the session a week before David's show at The Rainbow Theatre. Immediately beforehand, Bowie had been at a shoot with David Bailey. The whole session lasted just two hours. Some photographs from the shoot were featured in a popular Japanese fashion magazine, an-an, receiving a great deal of response from the readers.
-
This photograph has special significance for Sukita because it was chosen by David Bowie to blow up to a very large size and display in the foyer of the Rainbow Theatre for his concerts there on 19 and 20 August 1972. As Sukita explains: "I was very pleased about it. It proved that David-san really did like my work, and that was very important to me."
-
"6-12th February 1973, rehearsals at RCA Studio, New York, USA. Working out a riff on my Mini-Moog, the best little synthesizer in the West." David Bowie.
-
"My first Japanese tour and what a mad scene that turned out to be. I got carried away enough to perform an impromptu strip and gave my best shot as a 120lb sumo wrestler." David Bowie
-
"The show itself and Mick Ronson's guitar performance were both great and it was a blast for all the Japanese fans. I asked Kansai-san, who designed the costumes, what he thought about it and he just said… 'People are the most beautiful when naked!'" Masayoshi Sukita