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    Soren Solkaer: Lily Allen

    £ 1,800£ 4,500
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    Soren Solkaer: Mark Ronson

    £ 1,800£ 4,500
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    Soren Solkaer: Paul McCartney

    £ 1,800£ 4,500
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    Soren Solkaer: Pete Doherty

    £ 1,800£ 4,500
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    Soren Solkaer: Stereophonics

    £ 1,800£ 4,500
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    Soren Solkaer: The Who

    £ 1,800£ 4,500
  • Archival pigment print, 30 x 40 inch paper size, signed by Barrie Wentzell on the front, limited edition of 100 in this size
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    Art Kane: Louis Armstrong

    £ 1,811£ 10,869
    Kane shot Armstrong in Death Valley - one of his earliest photographic assignments. He hired a small four seat Beechcraft plane (which Louis Armstrong was none too happy about) to fly from Las Vegas, where Armstrong was performing, to a deserted stretch of road in the Mojave desert, where Kane wanted to make the photograph. Armstrong had to leave his wife Lucille, who accompanied him everywhere, in Vegas, as the plane only had room for Armstrong, Kane, the pilot, and the rocking chair he wanted Armstrong to sit in - on that day the chair was more important than Lucille. Kane was tired of seeing photographs of him playing his trumpet, with his cheeks puffed out, and so during the shoot, asked Armstrong to put down the instrument. This was about portraying him as a man at ease, with the sun setting in the background, and not as a musician or entertainer.  
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    Prices are shown excluding VAT. This is added at checkout where applicable.
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    Ormond Yard London 1965 Gered recalls: "Shot just outside my Ormond Yard studio, this portrait of the band features two of  Britain's greatest guitarists; Jeff Beck and Jimmy Page. I was very pleased to have captured the bowler hatted city type as he passed by in the background!"  There is certainly more than meets the eye in this picture. We actually think this photograph is a perfect example of one of Henri Cartier-Bresson's "decisive moments". Here's why. Well, it goes without saying that the band were posed by Gered, so its nothing to do with that. It's the fact that closer examination of what is going on in the background reveals a veritable microcosm of 1960's British society. Gered himself mentions the upper class gent in the bowler hat who appears between Keith Relf's legs, looking towards the camera. But look further back and see who is also there, also framed by the Relf thighs - it appears to be a working man in overalls and flat cap walking towards our bowler hatted friend. And then look to the right and see what's going on between Jimmy Page's legs...it's a genuine 1960s beat girl, nicely framed by a doorway she is passing. Prices are shown excluding VAT. This is added at checkout where applicable.
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