• Select options This product has multiple variants. The options may be chosen on the product page / Details
  • Select options This product has multiple variants. The options may be chosen on the product page / Details
  • Select options This product has multiple variants. The options may be chosen on the product page / Details
  • Select options This product has multiple variants. The options may be chosen on the product page / Details
  • Out of stock
    Archival 'SoftSharp' pigment print, reverse mounted in 20mm clear acrylic, supplied with certificate of authenticity, signed and numbered by Gered Mankowitz on the reverse. Edition of 10 ( + 3 artists proofs) in this size. Price for this piece includes acrylic framing, and excludes 20% VAT, which is added at checkout for UK customers.   JUST ONE LEFT. This piece is a presented in a technique called 'Softsharp': a special coating is applied to the front of the image and the impact is that it moves from soft to sharp focus (and back)  before your very eyes. Jimi would definitely have approved. Supplied in a 'frameless' perspex frame made with 20mm clear perspex on the front of the image and split baton hanging structure on the reverse, 'Psychedelic pink' and its sister piece, Jimi 'Psychedelic blue' work beautifully as a pair.
  • Out of stock
    Archival 'SoftSharp' pigment print, reverse mounted in 20mm clear acrylic, supplied with certificate of authenticity, signed and numbered by Gered Mankowitz on the reverse. Edition of 10 ( + 3 artists proofs) in this size. Price for this piece includes acrylic framing, and excludes 20% VAT, which is added at checkout for UK customers.   JUST ONE LEFT. This piece is a presented in a technique called 'Softsharp': a special coating is applied to the front of the image and the impact is that it moves from soft to sharp focus (and back)  before your very eyes. Jimi would definitely have approved. Supplied in a 'frameless' perspex frame made with 20mm clear perspex on the front of the image and split baton hanging structure on the reverse, 'Psychedelic blue' and its sister piece, Jimi 'Psychedelic Pink' work beautifully as a pair.
  • Mixed media artwork cut from original 7 inch vinyl of Sex Pistols 'God Save The Queen' and perspex Union Jack presented in 70cm x 70cm perspex box case. Unique (as no two are exactly alike) edition of 5 (+ 1 AP) signed and numbered by Keith Haynes. Price includes perspex box case, but not delivery.
  • The Sandinista! LP cover photograph (1980) An archivally processed silver gelatin photograph made by hand in the darkroom from Pennie Smith's original negative on 16x20 inch paper, signed on the front under the image area by Pennie Smith. On this original photograph you can see the West Ham graffiti that was removed from the actual Sandinista! LP cover artwork. Pennie Smith photographed the group behind Kings Cross/ St Pancras Station in London. The group had recently finished shooting a video for 'The Call Up', and Mick Jones is still wearing the helmet he wore for the filming.
  • Keith Haynes: Jimi in a Spin Mixed media: Cut from original 12” Hendrix vinyl, mounted on circular spin painting, inset into square perspex box case. Dimensions 70 x 70 x 6.5 cm. Unique (as no two are exactly alike) edition of 20 + 2 Artists Proofs. Price includes perspex frame (ready for hanging) but not delivery.
  • Select options This product has multiple variants. The options may be chosen on the product page / Details
      Important technical note The 665 Polaroid negative from which the photograph is made has some small inherent imperfections around the border areas and on parts of the image, and we wanted to give purchasers some information on this. Colin explains: “If you look at the thigh you'll see a light water stain which is on the negative permanently. This was shot on 665 Polaroid which was a B&W polaroid that yielded a positive and a negative when peeled. Back then I was “Mr. 665”. You would have to peel the excess paper from the negative and then put it in a tupperware filled with water to soak. The water would turn black as the coating on the neg dissolved, and then you would need to rinse it and hang it to dry. I would have 10-20 negs in the tupperware on top of each other, and the fragile nature of the film would almost guarantee some marks. I'm lucky there's not a big scratch on it! These inherent markings always occur with 665 polaroid negs. It's from the peeling process. I love imperfections and I understand some people might not like that but I think others won't mind. For me the imperfections just add to the street cred of the image.”    
  • Photo by Duffy © Duffy Archive
    An archival pigment print on Fuji Baryte paper, a posthumous Duffy estate authorised limited edition of 35 with a 32 x 34 inch image size. Price for unframed photograph excluding VAT.
  • Mixed media cut from original 7" vinyl (God Save The Queen) Presented in a 70 cm x 80 cm x 10 cm perspex box case Unique edition of 10 + 2 AP. Price includes perspex box case (ready to hang) but not delivery.
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