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Claude Gassian recalls: "I once asked Keith to say something about this picture. He wrote to me : 'The Man at Work' " Prices are shown excluding VAT. This is added at checkout where applicable.
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Claude Gassian recalls: "I had this photo session with Keith in his apartment in New York. I brought a lot of lights, flash and umbrellas – but my favorite picture remains this dark portrait, lit only by the flame of his Zippo lighter." Prices are shown excluding VAT. This is added at checkout where applicable.
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Prices are shown excluding VAT. This is added at checkout where applicable.
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Claude Gassian recalls: " This is Mick in March 1971, at The Roundhouse in London, The Stones' Farewell to England show" Prices are shown excluding VAT. This is added at checkout where applicable.
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Claude Gassian recalls: " At the end of each show in 1975/76, Mick went on stage with four buckets of water. The first three of them were directed into the crowd, and invariably he drenched himself from head to foot with the last bucket." Prices are shown excluding VAT. This is added at checkout where applicable.
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Prices are shown excluding VAT. This is added at checkout where applicable.
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Prices are shown for unframed prints in 25 x 25 cm and 50 x 50cm image sizes. Please allow 10 days between order / shipping date. Larger bespoke sizes (up to 150 x 150 cm / 59 x 59 inches approx) can be made to order - if you would like something bespoke please ask for a quote based on your desired size / location.
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Out of stockThis actual print was the personal property of the late great John Entwistle. In May 2003, Sothebys in London auctioned 386 lots belonging to John Entwistle. The majority of lots consisted of guitars, but lot number one in the auction comprised John’s favourite photographs of The Who, which originally hung on the walls of his home. This portrait by Colin Jones of The Who was one of the photographs in that first lot. It has a removable Sotheby’s sticker on the glass in the front left corner, and a Sotheby’s ticket strung on the reverse. It is in its original wood frame—the one John Entwistle had when he owned it—which has a small scratch on the top section. It is priced in its original frame but could be reframed for an additional £200. There is no visible signature. The image measures 16.5 x 23 inches, and the frame measures 21.5 x 28 inches. British photographer Colin Jones (1936-2021) first photographed the Who in 1965, when this photograph was taken in Wapping Lane, in London’s Surrey Docks - “one of my haunts down in the East End docklands” as Colin recalled later. Colin’s poignant and evocative images of the British working class from the last of the dock workers to the final days of the miners and steel workers are rightly acclaimed. Bill Brandt was a major fan of Colin’s work, which has been shown in major exhibitions in London, Washington and beyond.
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The back cover photograph from The Strokes' debut album, Is This It.
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Important technical note The 665 Polaroid negative from which the photograph is made has some small inherent imperfections around the border areas and on parts of the image, and we wanted to give purchasers some information on this. Colin explains: “If you look at the thigh you'll see a light water stain which is on the negative permanently. This was shot on 665 Polaroid which was a B&W polaroid that yielded a positive and a negative when peeled. Back then I was “Mr. 665”. You would have to peel the excess paper from the negative and then put it in a tupperware filled with water to soak. The water would turn black as the coating on the neg dissolved, and then you would need to rinse it and hang it to dry. I would have 10-20 negs in the tupperware on top of each other, and the fragile nature of the film would almost guarantee some marks. I'm lucky there's not a big scratch on it! These inherent markings always occur with 665 polaroid negs. It's from the peeling process. I love imperfections and I understand some people might not like that but I think others won't mind. For me the imperfections just add to the street cred of the image.”
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David Corio recalls: "I always felt a bit sorry for Adam Ant. He had been around at the beginning of the punk movement collaborating briefly with Jordan and Malcolm McClaren but he never seemed to quite fit the right mould. His music was hugely popular for a time with 11 singles hitting the charts over a 5 year period. Adam & The Ants videos were flamboyant fun and got massive amounts of air-time as music videos were comparatively new and MTV was just starting up but the pantomime pirate imagery had become more important than the music. The use of two drummers for live performances gave the band a powerful set up using the Burundi-style drum beat and he was a captivating live performer but as his audience became younger other music seemed to be overtaking him. New wave and New Romantic music scenes were coming along and suddenly Adam & the Ants were old hat and out of fashion. This photo was taken when they were at the peak of their commercial success Stand & Deliver and Prince Charming were released at this time which would both reach number one in the UK charts but within a year the band had split up. More recently his career has had several ups and downs from having a successful autobiography published and acting in several films to being arrested on a number of occasions and having several prolonged stays in psychiatric wards. In 2009 he started perfoming live again with various line-ups and there are rumours that he has recently started to record again."
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David Corio recalls: "Billy Braggs musical career was just beginning to take off when I met up with him in west London. If possible I try and find a few suitable locations before I do a shoot which can put a subject at ease and also help to create good compositions. A demolition site seemed ideal for Billy Bragg at the time as he was heavily involved in political causes on the left wing trying to break down the stranglehold that Margaret Thatcher held over the country. His second album Brewing Up With Billy Bragg came out later in the year and continued on his anti-war themes and his discontent with the British tabloid press. He has remained politically active backing the 1984 miners strike and helping to form Red Wedge a musicians alliance to encourage young people to vote for the Labour Party. He has also promoted tactical voting particularly in Dorset where he now lives but surprisingly announced he was voting for the Liberal Democrats in 2010 and must have been unpleasantly surprised when they formed a political alliance with the Conservative Party to gain power."
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David Corio recalls: "This was Bob Marley’s last London concert and one of his final shows before his untimely death 10 months later. I’m sure not many people knew of his illness as he performed a stirring two hour show that afternoon. This venue has a lake in front of the stage and as I didn’t own a really long lens I waded into the lake with my camera and a few rolls of film in a carrier bag. I got to the front of the stage where the water was about 4 feet deep and shot from there. Bob performed in an almost hypnotic trance. Of the three rolls I shot I think he has his eyes open in only two of the photos. He was a shaman dancing, his locks all over his face throughout the show."
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David Corio recalls: "This photo of Bruce Springsteen was taken from the audience - I hadn’t got a photo pass but was lucky enough to get a ticket for the show and I managed to get near to the stage at the huge Wembley Arena. Apart from a couple of shows in 1975 this was the first big concert in Europe for ‘The Boss’ as he is affectionately known. He was famous for his energetic sets and this show lasted for three hours and he didn’t stop moving for the entire show. He climbed up onto the speakers, leaped across the stage and pulled girls out from the audience to dance or sing with him. Springsteen supports many social causes, keeps to his working–class roots and speaks out very strongly on political issues. He has donated money to war veterans groups, endorsed Barack Obama early in his political campaign and most recently took part in fund-raising events for Haiti after the earthquake. He still lives in New Jersey where he was born - his 1973 debut album ‘Greetings From Asbury Park’, was named after the run-down sea-side resort where he still occasionally plays the tiny Stone Pony Club (capacity - 775 people) . A contrast to the 137,000 people that were at the Glastonbury festival when he performed in 2009!"
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David Corio recalls: "NME had voted De La Souls 3 Feet & Rising as the best album of 1989 and they asked me to meet up with the trio as they were promoting their third release Buhloone Mindstate. I got picked up in a minivan in mid-town and whisked uptown. Throughout the whole journey I didnt have a clue what they were talking about. They were well known for their witty lyrics,quirky skits and eclectic sampling but it was as if they were talking in a totally different language interspersed with hysterical laughter. We piled out next to the Apollo Theatre in Harlem and I had to marshall them together to fit them all in the frame with part of the famous venue in the background. They seemed barely aware that I was photographing them but it made for an easy, laid-back photo-shoot."
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David Corio recalls: "This is Dexys Midnight Runners before they had a major label or hit record. I spent a few days in Birmingham with them before seeing the band perform or knowing anything about their music. When I finally saw them live in London a few weeks later they blew me away. With a mighty horn section and stomping rhythm tightly controlled by lead singer Kevin Rowland, this was one of the most powerful shows I had the good fortune to attend. Journalist Gavin Martin and I met up with them several times always in working-mens cafes for endless cups of tea and to hear Kevins philosophy on life. Kevin Rowland controlled the band completely - banning alchohol and enforcing a strict dress code of white tees, donkey jackets or leather coats and woolen docker hats. Somehow he managed to persuade the others into going for regular early morning runs, long before jogging became fashionable. Despite their immense talent Dexys Midnight Runners werent suited to the commercial music scene and their albums didnt sell as well as they should have. Each new album was always a surprise as they invariably came up with a different musical style. A few years after taking this photo I got on a plane in Lisbon after photographing Rick Wakeman. I was wearing espadrilles with my hair in a pony-tail. And there already on board was the whole band - coincidentally all wearing the same espadrilles and sporting pony-tails."
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David Corio recalls: "I'd met Feargal as he left a rehearsal room on Holloway Road in north London late one evening. I shot some portraits of him under a street light as I didnt have any lights or flashgun with me. It occurred to me as we passed a launderette that this was the best lit location in sight and thats how this photo happened. It was a quiet session as Feargal didnt speak much and I tend to go with the subjects mood. The Undertones were a great pop punk band from Derry in Northern Ireland and Feargals distinctive quavering voice made them stand out. The bands first album The Undertones featuring the classic song Teenage Kicks John Peels favourite song of all time had been released not long before I took this picture."
