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In Spines #5 Punk and New Wave, Keith Haynes recreates the spines of thirty-six Punk and New Wave records, including albums by Ramones, Blondie, Sex Pistols and The Clash, to name a few. The starting point is Keith’s own record collection, which he supplements with missing albums he needs for the piece. These 12-inch sleeves are the source materials. Keith then researches all the historic fonts and uses these to recreate the spines himself to build up the artwork. This is not a photograph – it is a drawing that Keith makes from scratch, painstakingly recreating and combining each spine into the overall artwork. There are two versions of Spines #5 Punk and New Wave: a smaller version with a 50 x 50 cm image printed on 66 x 66 cm paper, which can be supplied framed or unframed. The second option is a larger 90 x 90 cm image size (with no white border around the image) which is mounted on dibond and supplied in a black tray frame, ready to hang.
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In Spines #2 Bowie, Keith Haynes recreates the spines of forty-four David Bowie albums. The colours really pop. This is not a photograph – it is a drawing that Keith makes from scratch, painstakingly recreating and combining each spine into the overall artwork. Spines #2 David Bowie has a 90 x 90 cm image size (with no white border around the image) mounted on dibond and supplied in a black tray frame, ready to hang. Delivery costs apply for customers outside the UK. Please ask for a quote based on your location.
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Prices are shown excluding VAT. This is added at checkout where applicable.
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Art Kane was a huge Bob Dylan fan, and literally stalked a very un-cooperative Dylan around an L.A. rooftop to get the shot. Dylan didn't like being told what to do, and Kane didn't shoot reportage style. Dylan, literally cornered, submitted to the direction and gave up the shot with a smouldering look that says, alright, you win. As Kane later recalled " I told him, "I'm going to stay until I get what I want." I finally manoeuvred him into a corner, he slid down and looked up. I had my shot."
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Out of stock
Andee Eye features images of legends, Joe Cocker, Marianne Faithfull, Mick Jagger, Tom Petty, Leon Russell, Sam Shepard, Donovan, Ringo Starr, Talitha Getty and many more.
Andee’s stories bring these outstanding photos to life—accompanying us into the world of memorable rock ‘n’ roll stage imagery, candid back-stage moments and intimate photo sessions between photographer and subject.
Printed at Trifolio in Verona, Italy, the book is a truly beautiful work made of the highest quality Italian papers, and German Princesse Linen.
Product Details: Hardcover 2020 | 252 pages 9.5 x 12 inches | 241.3 x 304.8 mm ISBN: 978-0-692-83952-2
Each copy is shrink-wrapped. -
Hardcover in dust jacket, 11 x 14 inches, 300 pages. First edition, 500 copies printed. A lavish Marc Bolan Coffee Table photo book features classic & unseen photographs from 1965 through to 1977, with photographs by Carl Dunn, Ara Ashjian, Keith Morris, Michael Putland, Richard Imrie, Ian Dickson, Kevin Cummins, Fiona Adams, Keiron ‘Spud’ Murphy, Allan Ballard, Barry Plummer, Rik Walton, Bob Gruen, and many more. Includes Marc’s words of wisdom along the way and also quotes from those that knew him or admired him such as Iggy Pop, Cpt Sensible, Marc Almond. Introductions by Marc’s partner Gloria Jones, surviving T. Rex Drummer Bill Legend & PR Guru and Vibemeister extraordinaire B.P Fallon. Marc has been lovingly pieced together over 2 years by Easy Action Record Label Boss Carlton Sandercock & Designer and fan Les Clark. Free shipping in the UK. Delivery charges apply outside the UK mainland - these are added at checkout.
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In Spines #7 Paul Weller, Keith Haynes recreates the spines of fifty five 12-inch singles and albums by The Jam, The Style Council and Paul Weller. This is not a photograph – it is a drawing that Keith makes from scratch, painstakingly recreating and combining each spine into the overall artwork. There are two versions of Spines #7 Paul Weller: a smaller version with a 50 x 50 cm image printed on 66 x 66 cm paper, which can be supplied framed or unframed. The second option is a larger 90 x 90 cm image size (with no white border around the image) which is mounted on dibond and supplied in a black tray frame, ready to hang.
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Frank Stefanko recalls the shoot in Haddonfield, NJ during the winter of 1978: "...he arrived in a slick ’60 Corvette. I think that car was his pride and joy. It was loaded, it was sleek, it ruled Route 9 and the New Jersey Turnpike. I imagined what it would be like to be Bruce, cruising in that Vette up the Pike under that giant Exxon sign in the wee, wee hours, thinking up song ideas while listening to his favorite tunes in that bad-ass Corvette.” Please note that this beautiful photograph is now right down to the wire for the limited edition 30x40 inch paper size option. We now have just one left in inventory - artists proof 4/4 - the very last one in the 30x40 size. It is framed and ready to deliver, and looks incredible in this large size.
