• A signed limited edition photograph showing the full 35mm frame—with the Bond Street underground sign on the left—and the frame rebate. Available in one size only, with the image area (including rebate) measuring 11 x 11 inches. A limited edition of 50 in this size, signed and numbered by Martyn Goddard. Martyn remembers: “For the “Down in the Tube Station at Midnight” single sleeve, we decided to shoot on location. We chose Bond Street tube station on the Central line, mainly, I think, because Bill Smith knew the station well as it was on his daily commute. The shoot took place on 12 September 1978. We waited until late evening before our raid on the station. This was going to be a quick one because we didn’t have permission. I used a 35mm Nikon camera with fast black and white film, pushed to the limit without a tripod, hence the resulting grainy images. The band stood at the end of the platform and I waited until a speeding train emerged out of the tunnel before pressing the shutter. We then made a hasty exit to street level.” Please allow 2-3 weeks between order and delivery for an unframed photograph.  If you would like a quote for framing please just ask. Framing adds 2-3 weeks.
  • A limited edition of 50 on 8 x 10 inch paper, signed and numbered on the front under the image area. Price is shown for an unframed photograph, and there are no delivery charges to a UK mainland addresses. Delivery charges apply outside the UK mainland. Please ask for a quote if you would like framing.
  • Limited edition of 75 + 10 artists proofs created from a traditional process in a mix of antique wood and movable type, each one individually numbered. Printed on blue 270 gsm G.F Smith Colorplan paper. Paper size 40 x 64 cm / 15.75 x 25 inches.  The price is shown for an unframed print. We can organise framing - please ask for a quote for framing and delivery based on your location. You can see an example in a white frame (our recommendation) alongside. There are no delivery charges in the UK for an unframed print. Delivery charges apply outside the UK mainland.  
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    You choose the vinyl, and we create this ultra-large three dimensional version for you. The standard unframed version is supplied ready to hang directly on the wall, as it is comes with a sub-frame on the reverse. The effect is that the large disc appears to float just off the wall. There are no delivery charges on the basic unframed (but ready to hang) version, wherever you are in the world. We can also organise framing for you, and we recommend a box frame in white or black - your choice. You can see prices for framing below. Please note that there are no delivery charges worldwide for unframed pieces. For framed items, delivery is free to UK mainland addresses. This means that delivery charges only apply to framed items where they are shipped outside the UK mainland, and if this is you, we will get you a quote once we know your delivery address. The Temple of Wax is a bespoke service, and we can recreate your chosen record in any size up to 100cm diameter. Please get in touch if you would like a custom size outside the standard sizes we offer here.
  • One front and one back cover print sold as a pair for a special price - limited edition of 195 archival pigment prints, each with image size 18 x 18 inches, on paper measuring 24 x 25 inches. Signed and numbered by Michael Spencer Jones on the front under the image, supplied with certificate. Unframed price.
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    When Columbia Records art director John Berg was asked to show his lifetime body of work at the prestigious Guild Hall in East Hampton, NY, photographer Eric Meola made this contact sheet for him, which shows 31 frames from among two of the nineteen rolls he shot on June 20, 1975, which resulted in perhaps the most iconic and well-known photograph in rock 'n' roll's history--the cover of the album 'Born to Run'.
    Photograph Eric Meola, registered with U.S. Copyright Office
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    A signed limited edition 3d cutout photograph on 5mm pvc available in a choice of size options. Click on the size options below to see available sizes and prices.  Please allow 2-3 weeks between order and delivery.
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    February 1999 - Santa Monica, California  Robert Sebree recollects: “Tom took an interest in a hot rodded ’54 Chevy pickup I had driven to a previous session, so even though I was still in the process of converting this ’54 Chevy panel delivery into a grip truck I decided to use it to haul my gear to the shoot. When I saw Tom’s eyes light up at the site of the van I think we both knew this shot was going to happen.  After we finished the shoot we went out to the van and hung out. Tom would strum the guitar while we talked and then break into a song which was punctuated with the occasional photograph. The van unlocked some memories for Tom. His father had the same panel truck that he used to drive around Florida wholesaling cigarette lighters to grocery stores when Tom was a kid.” Prices are shown for unframed items, excluding VAT. VAT is added at checkout where applicable. Signed limited edition photographs are available in a choice of physical size options. Click on the size options below to see available sizes and prices. Please allow 2-3 weeks between order and delivery for an unframed photograph. If you would like a quote for framing please just ask. Framing adds 2-3 weeks.
  • Select options This product has multiple variants. The options may be chosen on the product page / Details
  • Select options This product has multiple variants. The options may be chosen on the product page / Details
  • Select options This product has multiple variants. The options may be chosen on the product page / Details
    Olly Ball’s recollections of the session are fascinating:  “We shot the cover of Our Favourite Shop on a Sunday afternoon in London in April or May 1985, at Bow Street Studios in Covent Garden. I was based there for ten years.” “I wasn’t a rock photographer as such. I mostly shot magazine editorial in those days. I was offered the job because Simon Halfon, the designer, had seen some photos I’d shot for the Observer Magazine Living Extra. These were pictures of rooms based on a TV programme; so we’d have Jewel In The Crown on the TV and all the props and food would be Indian. The other themes were Dallas, Arena and The Tube.” “Most of the stuff in the shop belonged to Paul and Mick, but the snooker cue and George Best coat hanger are mine. Fran Crawley was the stylist and she supplied the counter, book-rack etc. The set was built by my assistant, and great friend, Ross Kerridge with Peter Chatterton. Paul and Mick dressed most of the set, but we were all involved, and I shot it on a Mamiya RB6x7 on a 90mm lens.” “I’m happy to say it went straight to number 1 in the album charts, but it remains the only album cover I ever shot.”
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