• A set of two photographs with an image size measuring 7 x 8 inches on 8 x 10 inch paper, each one signed and numbered on the front under the image area by Masayoshi Sukita. Each 8 x 10 inch photograph limited to 100 worldwide. The price shown above excludes VAT and is for two unframed photographs. Please allow 3 weeks between order and delivery. UK customers 20% VAT is added at checkout for UK customers. No shipping charges apply for customers in the UK. EU shipping is GBP 40. EU, US, Canadian, Japanese, Australian and other non-EU customers No VAT applies, but there are shipping charges - USA – GBP 50; Rest of World – GBP 65. Framing If you would like us to arrange framing, just order an unframed set, and let us know that you would like framing. We can then advise you on prices for frames based on your location. You only need to arrrange payment for the three frames once they are ready to go. Allow 3 weeks for framing.
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    Chris Gabrin: Ian Dury portrait

    £ 450£ 1,500
    Available in a choice of physical size options. Please ask for framing options. Please allow 2-3 weeks between order and delivery for an unframed photograph.  Framing adds 2-3 weeks.
  • Select options This product has multiple variants. The options may be chosen on the product page / Details
  • Select options This product has multiple variants. The options may be chosen on the product page / Details
  • Select options This product has multiple variants. The options may be chosen on the product page / Details
  • Select options This product has multiple variants. The options may be chosen on the product page / Details
  • Select options This product has multiple variants. The options may be chosen on the product page / Details
  • Select options This product has multiple variants. The options may be chosen on the product page / Details
  • Select options This product has multiple variants. The options may be chosen on the product page / Details
  • Select options This product has multiple variants. The options may be chosen on the product page / Details
    "I love “Hard Land” as it seems to evoke a scene from an old cowboy movie to me." - Frank Stefanko Our good friend Frank Stefanko has been photographing his good friend Bruce Springsteen for forty years. This is an image from his most recent shoot, in 2017. Frank tells us: "Hard Land was made in a photo-shoot I did with Bruce at his farm at Colts Neck, New Jersey. Bruce granted me the session in April of 2017 and I was thrilled to capture my friend in some relaxed scenes with his Western clothes which caused me to think, perhaps, he was already channeling his vision for his new album, Western Stars. The 2017 shoot brought things full circle to round off what has been forty years of working with Bruce."
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    David Corio recalls: "Orange Juice were a quintessential indie band signed to Postcard Records hailing from Glasgow. They seemed somehow out of place in London wearing shorts on a summers day so I took them to the canal which seemed to be more fitting for their image. They had a post-punk sound but combined jangly guitars reminiscent of disco band Chic with funky bass lines. Rip It Up released in 1983 was their only top forty hit but along with label stablemates Josef K they have been regarded as a big influence on a host of more recent guitar-driven bands like Franz Ferdinand and The Drums." In 2005 lead singer and songwriter Edwyn Collins suffered a double brain haemorrhage. He has undergone a lengthy programme of neurological rehabilitation and has recently gone back to recording and occasional live performances.
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    David Corio recalls: "When I photographed Richard Butler in the lift of his record label CBS his band The Psychedelic Furs were in a musical transition from being an arty new wave band with punk overtones to creating a straightforward rock sound that was less pretentious and would give them mainstream success particularly in the US.The Psychedelic Furs album Talk Talk Talk was just released at this time and creating a buzz. I wasn't a fan of their music and that can sometimes make it difficult to be inspired when it comes to taking photographs. I would sometimes get musicians to collaborate in the photo shoot by getting them to produce their own lighting. I had the flash gun attached to a long lead and gave it to Richard to point at himself or wherever he wanted to. It can create interesting shapes and shadows although as this was done in pre-digital days I didn't know what I was getting until I developed the film. Highlights can get burnt out, flare can be a problem and the angles may not always be particularly flattering but that is part of the fun of it. He was a willing participant striking different poses and tugging his shirt and hair. I don't think we said a word to each other during the whole shoot."
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