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    February 1995 - Hollywood, California  Robert Sebree explains: "Before a big tour Tom would rent a soundstage at one of the movie studios so they could work out all of the lighting and logistics while rehearsing. This was shot on a sound stage in Hollywood while rehearsing for the Dogs With Wings tour.” Prices are shown for unframed items, excluding VAT. VAT is added at checkout where applicable. Signed limited edition photographs are available in a choice of physical size options. Click on the size options below to see available sizes and prices. Please allow 2-3 weeks between order and delivery for an unframed photograph. If you would like a quote for framing please just ask. Framing adds 2-3 weeks.
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    March 1996 - Andora Studio, Hollywood, California  Robert Sebree recalls: “Initially Tom agreed to be music director for the film She’s The One but quickly realized he was better suited to create music than to curate it and was persuaded to score his first film. Tom once referred to She’s The One as “almost volume two of Wildflowers” as many of the songs that comprise the album were outtakes from the Wildflowers sessions.” Prices are shown for unframed items, excluding VAT. VAT is added at checkout where applicable. Signed limited edition photographs are available in a choice of physical size options. Click on the size options below to see available sizes and prices. Please allow 2-3 weeks between order and delivery for an unframed photograph. If you would like a quote for framing please just ask. Framing adds 2-3 weeks.
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    March 1996 - Village Recording, West Hollywood, California.  Robert Sebree reflects: “Tom was scoring his first film, She’s The One for Ed Burns. The timing was good and the project served as a welcome diversion from his ongoing divorce. He had moved out of the family house and was adjusting to living alone for the first time in years. Over lunch one day I mentioned that I was in the middle of my divorce which provided the common ground we needed to engage in topics a little deeper than our typical conversations.  After a long day in the studio I would often get a call from Tom that would last for hours as we discussed everything except the day we had just spent together. He spoke as if we were going through the same thing and I argued that our circumstances were very different - most obviously that he had children and a mountain of assets. He made me realize that in the ways that mattered that we were experiencing a lot of the same pain, turmoil and uncertainty, as well as a sense of excitement—because our futures no longer seemed preordained.” Prices are shown for unframed items, excluding VAT. VAT is added at checkout where applicable. Signed limited edition photographs are available in a choice of physical size options. Click on the size options below to see available sizes and prices. Please allow 2-3 weeks between order and delivery for an unframed photograph. If you would like a quote for framing please just ask. Framing adds 2-3 weeks.
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    February 1999 - Santa Monica, California  Robert Sebree recollects: “Tom took an interest in a hot rodded ’54 Chevy pickup I had driven to a previous session, so even though I was still in the process of converting this ’54 Chevy panel delivery into a grip truck I decided to use it to haul my gear to the shoot. When I saw Tom’s eyes light up at the site of the van I think we both knew this shot was going to happen.  After we finished the shoot we went out to the van and hung out. Tom would strum the guitar while we talked and then break into a song which was punctuated with the occasional photograph. The van unlocked some memories for Tom. His father had the same panel truck that he used to drive around Florida wholesaling cigarette lighters to grocery stores when Tom was a kid.” Prices are shown for unframed items, excluding VAT. VAT is added at checkout where applicable. Signed limited edition photographs are available in a choice of physical size options. Click on the size options below to see available sizes and prices. Please allow 2-3 weeks between order and delivery for an unframed photograph. If you would like a quote for framing please just ask. Framing adds 2-3 weeks.
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    February 1999 - Los Angeles, California  Robert Sebree reflects: “This image was shot a few months before Tom remarried and he was in a great space. Tom was always more comfortable being photographed in his element than sitting for a formal portrait. I made a series of portraits during this period and sensed a greater level of trust. He was very content which I believe allowed him to connect with the camera and embrace the process with greater ease.” Prices are shown for unframed items, excluding VAT. VAT is added at checkout where applicable. Signed limited edition photographs are available in a choice of physical size options. Click on the size options below to see available sizes and prices. Please allow 2-3 weeks between order and delivery for an unframed photograph. If you would like a quote for framing please just ask. Framing adds 2-3 weeks.
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    March 1999 - Santa Monica, California  Robert Sebree recalls: “This shot was commissioned from the now defunct Tower Records to promote Tom’s third collaboration with Rick Rubin, Echo. Outtakes from this session were used on the cover of their publication Pulse!” Prices are shown for unframed items, excluding VAT. VAT is added at checkout where applicable. Signed limited edition photographs are available in a choice of physical size options. Click on the size options below to see available sizes and prices. Please allow 2-3 weeks between order and delivery for an unframed photograph. If you would like a quote for framing please just ask. Framing adds 2-3 weeks.
  • SAGA DE XAM is a French comic masterpiece written by Jean Rollin & Illustrated by Nicolas Devil, and published by Eric Losfeld. It is one of the rarest examples of psychedelic comic art from 1967. We came across it for the first time about five years ago in a bookshop in France - they only took cash, we only had credit cards, so all we could do was look in awe and hope that at some point we would be able to find one. Well, now we have, a beautiful 1967 hardback first edition on heavy weight paper in its original dustcover.

    As you would expect with a book over forty years old, there are signs of wear on the dustcover, and the writing on the spine of the dustcover has faded, but inside it is eyeball-poppingly magnificent. The quality and variety of the graphics will blow you away. And while it may be stating the bleeding obvious, it is in French. Nicolas Devil - nice surname by the way - was one of Frances first erotic comic book artists. His illustrations were originally drawn on large format paper and then reduced and accompanied by captions and dialogue written in microscopic characters. Eric Losfeld was a French publisher who had a reputation for publishing controversial material with his publishing imprint Editions Le Terrain Vague. He published the well known Barbarella science fiction comic book created by Jean-Claude Forest.

  • A matched pair consisting of: The Supersonic front cover image, limited edition of 100 archival pigment prints, image size 18 x 18 inches, paper size 24 x 25 inches. Signed and numbered by Michael Spencer Jones on the front under the image. The Supersonic back cover image, limited edition of 25 archival pigment prints, image size 18 x 18 inches, paper size 24 x 25 inches. Signed and numbered by Michael Spencer Jones on the front under the image. Unframed price.    
  • A matched pair consisting of: The Don't Look Back in Anger front cover image, limited edition of 100 archival pigment prints, image size 18 x 18 inches, paper size 24 x 25 inches. Signed and numbered by Michael Spencer Jones on the front under the image. The Don't Look Back in Anger back cover image, limited edition of 25 archival pigment prints, image size 18 x 18 inches, paper size 24 x 25 inches. Signed and numbered by Michael Spencer Jones on the front under the image. Unframed price.    
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    Brian Aris: Debbie Harry

    £ 550£ 1,500
    Debbie Harry wearing an Andy Warhol designed "Bad" tee shirt. Photographed in London by Brian Aris.
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    Debbie Harry wearing an Andy Warhol designed "Bad" tee shirt. Photographed in London in 1978 by Brian Aris.
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    Debbie Harry photographed by Brian Aris during the filming of the "Island of Lost Souls" video.

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