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Prices are shown excluding VAT. This is added at checkout where applicable.
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Prices are shown excluding VAT. This is added at checkout where applicable.
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Prices are shown excluding VAT. This is added at checkout where applicable.
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Prices are shown excluding VAT. This is added at checkout where applicable.
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Prices are shown excluding VAT. This is added at checkout where applicable.
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Prices are shown excluding VAT. This is added at checkout where applicable.
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Prices are shown excluding VAT. This is added at checkout where applicable.
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Limited edition on 20 x 24 inch paper, signed and numbered by Neal Preston on the front under the image area. Prices are shown excluding VAT. This is added at checkout where applicable.
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Prices are shown excluding VAT. This is added at checkout where applicable.
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Archival silver gelatin photograph made by hand in the darkroom from the original negative on 16 x 20 inch (40x50cm) paper, signed by Pennie Smith on the front under the image. Price is shown for an unframed photograph excluding VAT. The classic London Calling album cover photograph. It is one of the most famous photographs in the history of rock ‘n’ roll. It is not cheap, but sometimes the good stuff has to hurt a little. The photograph shows Paul Simonon about to smash up his bass during a show at The Palladium, New York City on 21 September 1979. It is an acclaimed shot, receiving the ultimate accolade from Q Magazine by being voted the best rock and roll photograph of all time. Pennie had accompanied The Clash throughout their 1979 US tour, and very nearly didn’t attend this particular concert. In the end she chose to turn down the offer to go out with friends and ended up stage right at The Palladium. The band were used to getting a big response from their US audiences, but not on this night – The Palladium had fixed seating. Paul’s frustration turned to anger, and then he lost it completely. His watch stopped at 9.50pm.
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The Sandinista! LP cover photograph (1980) An archivally processed silver gelatin photograph made by hand in the darkroom from Pennie Smith's original negative on 16x20 inch paper, signed on the front under the image area by Pennie Smith. On this original photograph you can see the West Ham graffiti that was removed from the actual Sandinista! LP cover artwork. Pennie Smith photographed the group behind Kings Cross/ St Pancras Station in London. The group had recently finished shooting a video for 'The Call Up', and Mick Jones is still wearing the helmet he wore for the filming.
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Out of stockThe Stanley Road limited edition screen print 19 x 19 inch image size, edition of 250 Printed at Coriander Studios, 2002. A rare example signed by Peter Blake and Paul Weller. Framed and ready to hang. Framed dimensions 28 x 29 inches approx. In 2002, Peter Blake released this screen print in a limited edition of 250. Each print was signed by Peter Blake, and a small number were additionally signed by Paul Weller. The prints were made by Peter Blake’s screen-printer of choice, Brad Faine at Coriander Studios, one of the world’s leading specialist screen-printers. The image measures 19x19 inches, with individual spot varnishes applied to specific areas of the image. Signed by Paul Weller and Peter Blake and numbered in pencil below the image area, and supplied framed and ready to hang. Framed dimensions 28 x 29 inches approx.