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Read all about Ben's work here This image is made as a Chromaluxe print. Chromaluxe printing is an archivally stable process that produces prints with outstanding depth and an ultra-high-gloss finish. The technique uses a process called dye sublimation to fuse the image directly on to a 1.2mm panel of white-coated aluminium. The resulting print has richly saturated colours and a jewel-like appearance. A subframe on the reverse allows the print hang on the wall while appearing to float. Additional framing/glazing is not required (as ChromaLuxe has a scratchproof surface) but can be arranged as an option. ChromaLuxe prints are very light and are easy to ship. There are no additional shipping charges anywhere in the world. These are made to order - please allow three weeks between order and delivery.
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Read all about Ben's work here This image is made as a Chromaluxe print. Chromaluxe printing is an archivally stable process that produces prints with outstanding depth and an ultra-high-gloss finish. The technique uses a process called dye sublimation to fuse the image directly on to a 1.2mm panel of white-coated aluminium. The resulting print has richly saturated colours and a jewel-like appearance. A subframe on the reverse allows the print hang on the wall while appearing to float. Additional framing/glazing is not required (as ChromaLuxe has a scratchproof surface) but can be arranged as an option. ChromaLuxe prints are very light and are easy to ship. There are no additional shipping charges anywhere in the world. These are made to order - please allow three weeks between order and delivery.
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Prices are shown excluding VAT. This is added at checkout where applicable.
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Archival silver gelatin photograph made in the darkroom from the original negative by specialist handprinter Barbara Wilson on 8 x 10 inch paper, image size 7.5 x 7.5 inches (19 x 19 cm), edition of nine in this size worldwide, signed & numbered by Gered Mankowitz on the front under the image area.
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This is the first of Jamie Byrne's incredible graphic novel album commissions, in which he takes a favourite LP and represents each of the tracks in graphic novel style. Jamie will create a bespoke original commission for you, focusing on your album of choice, made with a 100 x 100 cm image size (or a smaller size of your choice to suit your space). Each original commission is made on high-gloss coated aluminium, framed in a tray frame without glazing, and signed and numbered 1/1 by Jamie on the reverse. Once an original is created, Jamie makes limited editions of 10 with a 50 x 50 cm / 20 x 20 inch (approx) image and 10 with a 75 x 75 cm / 30 x 30 inch (approx) image. The limited editions are archival pigment prints on paper, and can be supplied unframed or framed. Prices for the limited editions are shown without frames.
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Live Forever is available in a choice of two sizes. The smaller size version is a print on paper, supplied window mounted ready for framing. The larger version is printed on canvas and is supplied in a white distressed frame chosen by the artist.
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Rock 'n' Roll Star is available in a choice of two sizes. The smaller size version is a print on paper, supplied window mounted ready for framing. The larger version is printed on canvas and is supplied in a white distressed frame chosen by the artist.
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Signed limited edition photographs are available in a choice of physical size options. Click on the size options below to see available sizes and prices. Please allow 2-3 weeks between order and delivery for an unframed photograph. If you would like a quote for framing please just ask. Framing adds 2-3 weeks. Prices are shown for unframed items, excluding VAT. VAT is added at checkout where applicable.
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Whether or not Keith Moon drove a Rolls-Royce, a Chrysler Wimbledon or indeed any other car into a swimming pool, and whether or not the pool had water in it at the time, does not really matter. It was a symbolic statement of rock’n’roll excess, and Bonehead was right - it was a great basis for an album cover. The original number plate on the Rolls Royce, MDH 119K was changed to SYO 724F. This was the number plate featured on the police van on the cover of Abbey Road; another nod to rock ‘n’ roll cultural history.
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One front cover print teamed up with a highly collectable edition of the iconic calendar image (used for the promotion of the original release). Just fifty pairs are available and only a few remain. The front cover image is a limited edition of 195 and the calendar image is a limited edition of 50 archival pigment prints. Each with image size 18 x 18 inches, on paper measuring 24 x 25 inches. Each signed and numbered by Michael Spencer Jones on the front under the image, front cover supplied with certificate. Unframed price.
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Limited edition of 195 archival pigment prints, image size 18 x 18 inches, paper size 24 x 25 inches. Signed and numbered by Michael Spencer Jones on the front under the image, supplied with certificate. Unframed price.
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Archival pigment print on 44 x 45 inch paper, edition of 10, signed and numbered on the front by Michael Spencer Jones. Unframed price.
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To celebrate the 25th anniversary of the release of Oasis' landmark debut album Definitely Maybe, Michael Spencer Jones is releasing a limited edition contact sheet featuring nine of his favourite images from his key 1994 session with Oasis. Each print is signed and numbered on the front in the border under the image area, and there is a choice of two size options.
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Limited edition of 195 archival pigment prints, image size 18 x 18 inches, paper size 24 x 25 inches. Signed and numbered by Michael Spencer Jones on the front under the image, supplied with certificate. Unframed price.
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One front and one back cover print sold as a pair for a special price - limited edition of 195 archival pigment prints, each with image size 18 x 18 inches, on paper measuring 24 x 25 inches. Signed and numbered by Michael Spencer Jones on the front under the image, supplied with certificate. Unframed price.
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Limited edition of 195 archival pigment prints, image size 18 x 18 inches, paper size 24 x 25 inches.Signed and numbered by Michael Spencer Jones on the front under the image, supplied with certificate. Unframed price.
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Archival pigment print on 44 x 45 inch paper, edition of 10, signed and numbered on the front by Michael Spencer Jones. Unframed price.
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A matched pair consisting of: The Don't Look Back in Anger front cover image, limited edition of 100 archival pigment prints, image size 18 x 18 inches, paper size 24 x 25 inches. Signed and numbered by Michael Spencer Jones on the front under the image. The Don't Look Back in Anger back cover image, limited edition of 25 archival pigment prints, image size 18 x 18 inches, paper size 24 x 25 inches. Signed and numbered by Michael Spencer Jones on the front under the image. Unframed price.
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Michael Spencer Jones has considerable expertise in applying colour to his original black and white photographs. You can see the results in this beautiful example.
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Archival pigment print on 24 x 25 inch paper, edition of 20, signed and numbered on the front by Michael Spencer Jones. Unframed price.
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The (What’s the Story) Morning Glory? front cover photograph by Michael Spencer Jones.
